World Library  
Flag as Inappropriate
Email this Article

Matter of France

Article Id: WHEBN0000497254
Reproduction Date:

Title: Matter of France  
Author: World Heritage Encyclopedia
Language: English
Subject: Roland, History of literature, Medieval literature, Chanson de geste, Matter of Rome
Collection: History of Literature, Matter of France, Medieval Legends, Medieval Literature, Metanarratives, Romance (Genre)
Publisher: World Heritage Encyclopedia

Matter of France

The Matter of France, also known as the Carolingian cycle, is a body of literature and legendary material associated with the history of France, in particular involving Charlemagne and his associates. The cycle springs from the Old French chansons de geste, and was later adapted into a variety of art forms, including Renaissance epics and operas. Together with the Matter of Britain, which concerned King Arthur, and the Matter of Rome, comprising material derived from and inspired by classical mythology, it was one of the great literary cycles that figured repeatedly in medieval literature.


  • Three Matters 1
  • Description 2
  • Matter of France in later literature 3
  • Notes 4
  • External links 5

Three Matters

The Matter of France was one of the "Three Matters" repeatedly recalled in medieval literature. It was contrasted with the Matter of Britain, the legendary history of Great Britain, Brittany, and King Arthur; and the Matter of Rome, which represented the medieval poets' interpretations of Ancient Greek and Roman mythology and history. The three names were first used by the twelfth century French poet Jean Bodel, author of the Chanson de Saisnes, a chanson de geste in which he wrote:

Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
(There are but three literary cycles that no one should be without: the matter of France, of Britain, and of great Rome.)


About 1215 Bertrand de Bar-sur-Aube, in the introductory lines to his Girart de Vienne, set out a subdivision of the Matter of France into three cycles, which have been adopted by many modern critics as a useful means of grouping the chansons de geste. These are his words:

The cycles can be outlined as follows:[1]

  • The Geste du roi, whose chief character is Charlemagne himself, seen as champion of Christianity. This cycle contains the best known of the chansons, the Chanson de Roland.
  • The Geste de Garin de Monglane, whose central character was Guillaume d'Orange, identifiable with William, Count of Toulouse. These dealt with knights who were typically younger sons, not heirs, and who seek land and glory through combat with the Infidels. The twenty-four poems of this geste belong to the generation after Charlemagne, during the reign of an ineffectual Louis. The Chanson de Guillaume is one of the oldest poems of this geste.
  • The Geste de Doon de Mayence, in which the hero, as in the Geste de Guillaume, often suffers from royal injustice, but is goaded into rebellion.

Central figures of the Matter of France include Charlemagne and his paladins, especially Roland, hero of The Song of Roland, and his companion Oliver, who was frequently cast in conflict with the Muslim champion Fierabras. Originally, the Matter of France contained tales of war and martial valour, being focused on the conflict between the Franks and Saracens or Moors during the period of Charles Martel and Charlemagne. The Chanson de Roland, for example, is about the Battle of Roncevaux Pass during the Moorish invasion of southern France. As the genre matured, elements of fantasy and magic tended to accrue to the tales. The magic horse Bayard, for example, is a recurring figure in many of the tales.

The fundamental character of the "Matter of France" is feudal and Christian (in a crusading form). Although viewed as idolators, the Saracens are depicted as not necessarily un-chivalrous. The earliest gestes were likely sung by a jongleur, accompanying himself on a fiddle. It is apparent that the authors are completely ignorant of the fact that Islam is monotheistic.[1] D.J.A. Ross says that people of the Middle Ages appear to have regarded the gestes as generally historical.

Einhard's Vita Caroli describes the Basque ambush at Roncevaux as driving the Frankish rearguard down the valley. The poet who wrote the Chanson de Roland did not hesitate to update the military tactics to a set-piece cavalry charge on the part of the Saracens, although retaining a landscape unsuitable for couched lances.[1]

For a list of chansons that can be attached to each of these cycles, see Chanson de geste.

Matter of France in later literature

After the period of the chanson de geste, the Matter of France lived on. Its most well known survival is in the Italian epics by Matteo Maria Boiardo, Ludovico Ariosto, and a number of lesser authors who worked the material; their tales of Orlando innamorato ("Roland in Love") and Orlando furioso ("Roland Gone Mad") were inspired by the chansons de geste. These works, in turn, inspired Edmund Spenser's The Faerie Queene,[2] although Spenser's work has been separated from the Matter of France and put in the setting of an imaginary faerie land.

Tales of the Matter of France were also found in Old Norse, where the Karlamagnus Saga was written in the thirteenth century in Norway;[3] it contains a synopsis of the main stories of the cycle. Indeed, until a major revival in the 19th century breathed new life into the Arthurian cycle, the Matter of France had enjoyed similar renown to the Matter of Britain.

Modern fantasy literature has used the Matter of France far less than the Matter of Britain, although L. Sprague de Camp and Fletcher Pratt set one of their Harold Shea stories (The Castle of Iron) in the world of the Matter of France, and Poul Anderson's Three Hearts and Three Lions references the Matter of France. Through Anderson's book, the Matter of France also had some influence on the popular Dungeons & Dragons game. Italo Calvino's fantasy novel The Nonexistent Knight also takes place in this world.


  1. ^ a b c , (Arthur Thomas Hatto ed.), Modern Humanities Research Association, 1980, ISBN 9780900547720Traditions of Heroic and Epic PoetryRoss, D.J.A., "Old French",
  2. ^ , June 24, 2014The Paris ReviewGiardina, Henry. "Mad with Desire (Kind Of)",
  3. ^ Vol. I, (1907–21)The Cambridge History of English and American LiteratureKer, W.P., "Metrical Romances, 1200–1500",

External links

  • The Matter of France by Alexx Kay
  • Legends: Paladins and Princes by Paula Kate Marmor
  • How Oliver Fought for France and the Faith by Agnes Grozier Herbertson
  • The Keeping of the Passes by Agnes Grozier Herbertson
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.