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Camilla Collett

Camilla Collett (1839)

Jacobine Camilla Collett (born Wergeland) (23 January 1813 – 6 March 1895) was a Norwegian writer, often referred to as the first Norwegian feminist. She was also the younger sister of Norwegian poet Henrik Wergeland, and is recognized as being one of the first contributors to realism in Norwegian literature. Her younger brother was Major General Joseph Frantz Oscar Wergeland.


  • Life 1
  • Writing style and influences 2
  • Bibliography 3
  • References 4
  • External links 5


Camilla was born in Kristiansand, Norway,[1] the daughter of Nicolai Wergeland, a noted theologian, politician, and composer in his time, and Alette née Thaulow. Her brother, was the writer Henrik Wergeland.[2] When Camilla was four, her family moved to Eidsvoll, where her father was made parish priest.[2] Camilla grew up in a literary family, and she became a young diarist,[2] in part because she found life in Eidsvoll dull. She spent most of her teens at a finishing school in Christiansfeld in Denmark.[2]

During a visit to Kristiania she met and fell in love with the poet Johan Sebastian Welhaven, who was also her brother Henrik's literary nemesis.[2] Relations between the three were complicated and in time became legendary in Norwegian Romanticism. Collett was philosophically aligned with the Welhaven side of the debate, and her relationship with her brother may have been uneasy for some time. But there are indications that Camilla carried some resentment toward her father and brother over their opposition to her relationship with Welhaven. She also suffered from health problems during, and in the summer of 1834 her father took her to Paris to regain strength and recover her health.[2]

In any event, her relationship with Welhaven eventually ended, and in 1841 she married Peter Jonas Collett,[1] a prominent politician, literary critic, and member of Intelligenspartiet (the Intelligence party). It was by all accounts a marriage born out of love. As it turned out, he was a supportive and understanding husband with whom Camilla could discuss any topic. She started writing for publication after she married Collett.

Photograph of Camilla Collett (1893)

Her most famous work is her only novel, Amtmandens Døtre (The District Governor's Daughters)[1] which was published anonymously in two separate parts in 1854 and 1855.[1] The book is considered one of the first political and social realism[1] novels in Norway and deals with the difficulties of being a woman in a patriarchical society in general and forced marriages specifically. It is believed that her personal experiences in life, specifically her relationship with Welhaven, influenced the book.[1] After this book, she wrote very little fiction,[1] but did continue to write essays, polemics, and her memoirs.

Her literary models included female writers such as Edward Bulwer Lytton and Theodor Mundt. Her style represented a departure from her contemporaries, in that she preferred a more casual, natural tone.

In 1851, after a mere ten years of marriage, Collett suddenly died.[1] This left Camilla to raise four young sons.[1] She was forced to sell her house and never managed to buy a new one again. Her three eldest sons were sent to be raised by relatives. She struggled with personal financial problems for the rest of her life.

She died in Kristiania in 1895.[1]

Writing style and influences

Collett was raised in a house that admired the works of personal emancipation.[1]

The older Collett got, the more radical her own views became, becoming increasingly polemic. She supported social and political change to further women's roles in society, and the articles that she published were published anonymously, but eventually published in a book of collected works. A stigma was attached to the idea of a woman writing the content and sharing the ideas she shared publicly, and this affected her career and emotion wise. Collett channeled this frustration into her writing, where she often examined that stigma. After the writing of Amtmandens Døtre, she focused largely on reviews and essays about literature, many of which solidified Collett as the first feminist literary critic in Norway. In these essays and opinion pieces, she declared the need for a new image for women and discarded the idea of women being reticent, and self-sacrificing in their lives.[1]

Her work was cited by her contemporaries such as Henrik Ibsen.[1]


  • Amtmandens Døttre (novel) 1854–55[1] (reviewed editions: 1860, 1879)
  • Fortællinger (short prose) 1860[1]
  • I de lange Nætter (diary) 1862[1]
  • Sidste Blade I–III (articles) 1868–73[1]
  • Fra de Stummes Leir (articles) 1877[1]
  • Mod Strømmen I–II (articles) 1879–85[1]
  • Skrifter I–X (collection of works) 1892–93
  • Dagbøker og breve (with Peter Jonas Collett) 1926–34[1]


  1. ^ a b c d e f g h i j k l m n o p q r s t Katharina M. Wilson (1991). An Encyclopedia of continental women writers. Taylor & Francis. pp. 263–265.  
  2. ^ a b c d e f Ingebright Christopher Grøndahl; Ola Raknes (1923). Chapters in Norwegian literature: being the substance of public lectures, given at the University College, London, during the sessions 1918–1922. Ayer Publishing. p. 113.  

External links

  • Digitized books and manuscripts by Collett in the National Library of Norway
  • (Norwegian) Short biography on
  • (Norwegian) link to all her works, at
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