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Chinese ritual mastery traditions, also referred to as ritual teachings (Taoism.[3] The "masters of rites", the fashi (法師), are also known in east China as hongtou daoshi (紅頭道士), meaning "redhead" or "redhat" daoshi ("masters of the Tao"), contrasting with the wutou daoshi (烏頭道士), "blackhead" or "blackhat" priests, of Zhengyi Taoism who were historically ordained by the Celestial Master.[3]
Zhengyi Taoism and Faism are often grouped together under the category of "daoshi and fashi ritual traditions" (道法二門道壇). Although the two types of priests have the same roles in Chinese society—in that they can marry and they perform rituals for communities' temples or private homes—Zhengyi daoshi emphasize their Taoist tradition, distinguished from the more vernacular tradition of the fashi.[3][4]
Ritual masters can be practitioners of tongji possession, healing, exorcism and jiao rituals[5] (although historically they were excluded from performing the jiao liturgy[3]). The only ones that are shamans (wu) are the fashi of the Lushan school.[5]
The ritual masters (法師 fashi) are defined, in opposition to formally ordained Taoist priests, as:[6]
Sarah Coakley (Cambridge University) distinguishes fashi as "kataphatic" (of filling character) in opposition to Taoists as "kenotic" (of emptying character), and links them to other Sino-Tibetan indigenous religions:[7]
They are known by different names throughout China, other popular ones being "ritual officers" (faguan) as they at times call themselves,[8] or "redhead" Taoist priests (紅頭道士 hongtou daoshi). There are also localised names, such as "orthodox lords" (duangong), "altar masters" (zhangtanshi), or "earth masters" (tulaoshi) in Guizhou.[9]
They are also in competition with other orders who perform similar services: monks and tantric masters under the auspices of Buddhism, and tongji media.[6]
The difference between ritual masters and gods' media is that instead of being subject to territorial gods like the media, the ritual masters can marshal the powers of local gods.[8]
The Lushan (Mount Lu) school (Chinese: 閭山派; pinyin: Lǘshān pài, also Chinese: 閭山教; pinyin: Lǘshān jiào or Chinese: 閭山法教; pinyin: Lǘshān fǎjiào), also known as Sannai school (pinyin: Sannai jiao; literally: "religion of the Three Ladies"), is present in Fujian, southern Zhejiang and Taiwan.[10] It is very active nowadays, and is related to the worship of the goddess Chen Jinggu or Lady Linshui, who is very popular in the same area.[10] It is also related to the cult of Wang Laomu, and competing with Maoshan Taoism.[10]
The tradition shows similarities with Yao and Zhuang ritual traditions, and has incorporated elements of Tantra, such as the use of mudra and vajra.[10] Lushan fashi perform rituals as the head of celestial troops while invoking the "Three Ladies" (sannai): Chen Jinggu and her two disciples, Lin Jiuniang and Li Sanniang. Although Lushan fashi are men, in performance they wear the ritual red skirt of Chen Jinggu and a crown or headdress with the words "Three Ladies" painted on it.[10] Lushan fashi also practice a shamanic voyage rite called "crossing the roads and the passes" (guo luguan).[10]
The Pu'an school (Chinese: 普唵派; pinyin: Pǔǎn pài) is present in west-central Fujian and southern Jiangxi.[11] The historical figure of the monk Pu’an is worshipped by the practitioners as their "founding master" (zushi).[11] Their texts, rituals and iconography incorporate Tantric themes adapted in a Taoist style, and have elements of the Zhengyi and Lushan traditions.[11]
The Xujia school (Chinese: 徐甲派; pinyin: Xújiǎ pài) is another form of ritual masters.[2]
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