World Library  
Flag as Inappropriate
Email this Article

Chinese variety art

Article Id: WHEBN0000283760
Reproduction Date:

Title: Chinese variety art  
Author: World Heritage Encyclopedia
Language: English
Subject: Arts of China, Penal system in China, Administrative divisions of China, China, Balancing Acts
Collection: Chinese Performing Arts
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Chinese variety art

Balancing acts are one type of Chinese variety art.

Chinese variety art (Chinese: 雜技藝術) refers to a wide range of acrobatic acts, balancing acts and other demonstrations of physical skill traditionally performed by a troupe in China. Many of these acts have a long history in China and are still performed today.

Contents

  • Circus vs variety art 1
  • History 2
  • Performances 3
  • Festivals 4
  • See also 5
  • References 6

Circus vs variety art

While the English term "Chinese circus" has been used to describe Chinese variety arts even in the earliest Western historical texts, the East views the Chinese term "circus" (馬戲) as an altogether separate, Western style of show. Elements such as clowns and large animals belong exclusively to the Western circus. Eastern elements include Shaolin monks, Peking opera characters and the Monkey King, for example.

History

Chinese street performers seen by Johan Nieuhof in 1655-57

The beginnings of Chinese performing arts have been lost to history. It is known that they existed as early as the Qin Dynasty (221-207 BC). During the Qin and Han periods, Jiaodi (角抵) or Baixi (百戲) variety show was popular with the common people. Jiaodi was originally an entertainment where men wearing horns charged at one another like bulls, but became a general term used interchangeably with Baixi to describe popular entertainment during the Han Dynasty.[1] It consisted of a variety of acts such as conjuring, acrobatics, wrestling, musical performances, dance, martial arts, horsemanship, and juggling.[2][3] In the Eastern Han Dynasty, the scholar Zhang Heng was one of the first to describe the acrobatic theme shows in the royal palaces in his "Ode to the Western Capital" (西京賦). The event featured shows such as Old Man Huang of the Eastern Sea (東海黃公), the Dancing Fish and Dragon (魚龍蔓衍) and Assembly of Immortals (總會仙倡), and Zheng described swallowing knives and spitting fire, creatures that transformed into another, as well as children who performed acrobatics on high poles.[1] A grand acrobatic show was held by Emperor Wu of Han in 108 BC for foreign guests.[4]

The performances became more elaborate and during the Tang Dynasty (618-907AD), the performing arts became popular in the Emperor’s court, and the acts became more refined. Eventually, the performing arts lost favor in the Imperial Court; they moved back to the common people and most performers performed in the street. During the Song Dynasty the variety shows may be performed in the entertainment centres called the wazi (瓦子, meaning "tiles"). Towards the end of the Ming Dynasty (1368-1644), the performers came off the street and started performing on stage. During the end of the Qing Dynasty (1644-1911), it regained popularity with the Imperial Court and has remained a popular art form to this day.

Since the founding of the People's Republic of China in 1949, the art forms have gained new respectability. Troupes have been established in the provinces, autonomous regions, and special municipals with theaters specifically dedicated to the variety arts. Some troupes have become world famous, playing to packed houses at home and on foreign tours.

It wasn't until the 1990s, however, that the art form was packaged as a complete theme show. The 1994 show Golden Wind of the Southwest (金色西南風) led the way in successfully re-promoting the art as a whole.[4]

Performances

Human Lion balancing on a globe. Each lion suit usually has two performers.

Below is a list of performances available in the variety art. Some are more standard, while others are more regional. There is always new innovation taking place.

Festivals

See also

References

  1. ^ a b Faye Chunfang Fei, ed. (2002). Chinese Theories of Theater and Performance from Confucius to the Present. University of Michigan Press. pp. 24–25.  
  2. ^ Richard Gunde (2001). Culture and Customs of China. Greenwood. p. 104.  
  3. ^ Wang Kefen (1985). The History of Chinese Dance. China Books & Periodicals. pp. 20–27.  
  4. ^ a b "The acrobatic Theme show and its origin in the Hundreds Entertainment". Archived from the original on March 9, 2005. Retrieved 2007-05-25. 
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 



Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.