World Library  
Flag as Inappropriate
Email this Article

Circus Polka

Article Id: WHEBN0016869632
Reproduction Date:

Title: Circus Polka  
Author: World Heritage Encyclopedia
Language: English
Subject: Igor Stravinsky, Orpheus (ballet), Symphony in Three Movements, Raymonda Variations, Ebony Concerto (Stravinsky)
Publisher: World Heritage Encyclopedia

Circus Polka

Circus Polka: For a Young Elephant was written by Ringling Bros. and Barnum & Bailey Circus. The ballet was performed by fifty elephants and fifty ballerinas. In 1944, Stravinsky published an orchestration of the piece, which is now part of the repertoire of many orchestras.


Igor Stravinsky and George Balanchine first met in 1925, as Balanchine, who just had started working for Sergei Diaghilev's Ballets Russes, choreographed the ballet version of Stravinsky's Le chant du rossignol.[1] This was the start of a long friendship and many years of collaboration, which continued after both emigrated to the United States in the 1930s.

In late 1941, the Ringling Brothers & Barnum & Bailey Circus made Balanchine the unusual proposal to do the choreography for a ballet involving the circus's famous elephant group in the spring of the following year in New York. Balanchine immediately suggested bringing in Stravinsky, much to the delight of the circus company. However, Stravinsky was only contacted by phone on January 12, 1942. Balanchine would later recount the conversation as follows:

Balanchine: "I wonder if you'd like to do a little ballet with me."
Stravinsky: "For whom?"
Balanchine: "For some elephants."
Stravinsky: "How old?"
Balanchine: "Very young."
Stravinsky: "All right. If they are very young elephants, I will do it."[2]

Although Stravinsky was busy with other projects at the time, he negotiated a high fee with the Ringling Brothers & Barnum & Bailey Circus for a short instrumental, which he composed within a few days. The piano version of Circus Polka, subtitled "For a Young Elephant" as an allusion to the phone conversation with Balanchine, was finished on February 5, 1942.

Although the piece is, according to its name, a polka, it does contain a number of changes in rhythm. It only sounds like a polka towards the end, but this part is actually a borrowing from Franz Schubert's Marche militaire No. 1 in D major, D. 733. Stravinsky always denied that this was a parody of the Marche militaire.[3] He later called the whole piece a satire, the musical equivalent to Henri de Toulouse-Lautrec's drawings, but his notes do not reflect this.[4]

By the time the ballet was performed, Stravinsky was no longer involved with the project. The arrangement of the piece for an concert band was done by David Raksin. Balanchine choreographed the Circus Polka for fifty elephants and fifty human dancers, led by the cow elephant Modoc and by Balanchine's wife and principal ballerina Vera Zorina respectively. The elephants, including the bulls, were decked out in pink ballet tutus. Reporters were at first concerned that Stravinsky's music might cause the elephants to panic. Balanchine was eventually able to teach Modoc the choreography.[5]

The show, advertised as a "choreographic Tour de Force," premiered at Madison Square Garden on 9 April 1942. The performance was successful and the crowd was particularly enthusiastic about Balanchine's extraordinary ballet.[6] After this debut, Ringling Brothers performed the ballet another forty-two times, but Stravinsky did not attend any of the shows.[7]


Two years after he composed the piano version, Stravinsky re-arranged the Circus Polka for an orchestra. This version was premiered along with Four Norwegian Moods by the Boston Symphony Orchestra in January 1944 with Stravinsky as director. During the following months a number of charity concerts to support the U.S. Army fighting in World War II were held and broadcast over the radio. Stravinsky reported, that after one such broadcast he received a telegram from an elephant called Bessie who had taken part in the ballet in 1942, and whom he then met in Los Angeles.[8] After listening to another such broadcast, Charles de Gaulle ordered the sheet music for the piece and took it back home to France.[9] The orchestration soon became part of the repertoire of many orchestras and is popular to this day, especially at children's concerts.

George Balanchine re-choreographed the piece for a one-time performance by students from the School of American Ballet, which took place on 5 November 1945 at Carnegie Hall, directed by Lincoln Kirstein. After Jerome Robbins became ballet master at City Ballet in 1972, he created a new ballet to Stravinsky's music featuring young dance students and an adult ringmaster for their Stravinsky Festival. Since, it has become a regular piece, often with a guest ringmaster, most notably Mikhail Baryshnikov[10] and most recently with Robert La Fosse.

In 2006, a children's book detailing the history of the Circus Polka, Leda Schubert's Ballet of the Elephants, appeared in the United States.


  1. ^ Joseph 2002, pg. 60.
  2. ^ Krista 1996, pg. 72.
  3. ^ Craft/Stravinsky 2002, pg. 234.
  4. ^ Joseph 2001, pg. 20.
  5. ^ Wenborn 1999, pg. 136.
  6. ^ "Circus Opens Amid New Brilliance; Blue and Red Sawdust, Bathed in Lights of Many Hues, Add Glamorous Background; Human Bunnies Dance; Children and Adults Alike Are Thrilled as 50 Elephants Take Part in a Ballet". New York Times. April 10, 1942.
  7. ^ Stravinsky/Craft 2002, pg. 235.
  8. ^ Stravinsky/Cast 2002, pg. 235.
  9. ^ Joseph 2002, pg. 68.
  10. ^ Joseph 2002, pg. 168; Circus Polka. NYCB; Review/Ballet; Robbins Over the Years: Fresh Amid the Familiar. New York Times. June 8, 1990.




External links

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.