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Title: Dashiki  
Author: World Heritage Encyclopedia
Language: English
Subject: Wrapper (clothing), Folk costume, Ethiopian suit, Kanzu, Boubou (clothing)
Collection: 1960S Fashion, African Clothing, History of Fashion, Tops (Clothing)
Publisher: World Heritage Encyclopedia


A group of drummers wearing dashikis and kufis in Accra, Ghana.

The Dashiki is a colorful garment for both men and women widely worn in West Africa that covers the top half of the body. It has formal and informal versions and varies from simple draped clothing to fully tailored suits. A common form is a loose-fitting pullover garment, with an ornate V-shaped collar, and tailored and embroidered neck and sleeve lines.


  • Etymology 1
  • History in the West 2
  • Versions 3
    • Western formal equivalents 3.1
      • Wedding colours 3.1.1
      • Funeral colours 3.1.2
  • Dashiki in the United States 4
  • See also 5
  • References 6
  • Further reading 7


The name Dashiki is derived from the Hausa word ʼyar̃ ciki, which means shirt. It is usually worn with a brimless Kufi cap which is worn in Islamic communities in Africa and the African diaspora, and a pair of pants.

History in the West

The Dashiki was made popular in the western parts of the world by Oba (Yoruba word for king) Ofuntola Oseijeman Adelabu Adefunmi, who was born Walter Eugene in Detroit, Michigan, USA in 1928. He became interested in African Studies at the age of 16, and travelled to Haiti at the age of 20 in order to be exposed to African religion from indigenous Africans. Soon after, he returned to the U.S. and began a small scale manufacturing business which included African attire, most notably dashikis.


The informal version is a traditional print or embroidered dashiki. Three formal versions exist. The first type, consists of a dashiki, sokoto (drawstring trousers), and a matching kufi. This style is called a dashiki suit or dashiki trouser set and it is the attire worn by most grooms during wedding ceremonies. The second version consists of an ankle-length shirt, matching kufi, and sokoto and is called a Senegalese kaftan. The third type consists of a dashiki, and matching trousers. A flowing gown is worn over these. This type is called a Grand boubou or an Agbada.

There are several different styles of dashiki suits available from clothing stores. The type of shirt included in the set determines the name. The traditional dashiki suit includes a thigh-length shirt. The short sleeve, traditional style is preferred by purists. A long dashiki suit includes a shirt that is knee-length or longer. However, if the shirt reaches the ankles, it is a Senegalese kaftan. Finally, the lace dashiki suit includes a shirt made of lace. A hybrid of the dashiki and caftan worn by females is a traditional male dashiki with a western skirt.

Western formal equivalents

The following chart gives a type of formal wear on the left and lists the African equivalent on the right. Some merchants distribute similar charts to their customers with equivalent men's and women's styles listed. In the trade, they are referred to as "African Attire Equivalency Charts". This type of chart is only used in the Caribbean, Europe, Canada, and the United States. In West Africa, a man's tribal affiliation governs his mode of dress. When wearing African attire to a formal event, any color is acceptable. However, many men prefer to wear black with gold embroidery, or dark blue with gold embroidery, to blend in with the dark tuxedos. In Afro-Latin American communities, white is the norm.

  • Suit – dashiki shirt with black dress trousers and matching kufi. This style of attire is equivalent to a suit and is typically worn by Black men to formal African or Black centric events.
  • Morning dress – dashiki suit, Senegalese kaftan, or grand boubou. All three of these suits are acceptable attire for functions that require morning dress.
  • Black tie – dashiki suit, Senegalese kaftan, or grand boubou. Although it is called a suit, a dashiki trouser set is equivalent to the tuxedo. A dashiki suit is perfectly suitable for any black tie event.
  • White tie – Senegalese kaftan, or grand boubou. The dashiki suit is informal and out of place at white tie events. White tie events require an African robe or gown.

Wedding colours

White is the traditional colour for West African weddings.[1] Most grooms wear white dashiki suits during wedding ceremonies. Some couples wear non-traditional colours. The most common non-traditional colours are purple and blue.

  • Purple and lavender: the colour of African royalty.[2]
  • Blue: blue is the colour of love, peace, and harmony.

Funeral colours

Black and red are the traditional colours of mourning.

  • Red: honours the blood shed by slaves during captivity, and political struggle.[3]
  • Black: black garments represent death and communion with the ancestors.

Dashiki in the United States

The dashiki found a market in America during the Black cultural and political struggles in the 1960s. The dashiki was featured in the movies Uptight (1968), Putney Swope (1969), and the weekly television series Soul Train (1971). Jim Brown, Wilt Chamberlain, Sammy Davis Jr., and Bill Russell were among the well-known African-American athletes and entertainers who wore the dashiki on talk shows. Former District of Columbia mayor and council member Marion Barry was known for wearing a dashiki leading up to elections.

The term dashiki began appearing in print at least as early as 1967. Reporting on the danshiki". An article by Faith Berry in the New York Times Magazine includes it on July 7, 1968.

"Dashiki" formally appeared in the Webster's New World Dictionary, 1st College Edition 1970/72. It cites J. Benning as having coined the word in 1967. J. Benning, M. Clarke, H. Davis and W. Smith were founders of New Breed, the first manufacturer of the garment in the United States, Harlem, New York. York Wong joined the company as Financial Vice President in 1971.

See also


  1. ^ "African American Wedding Culture". 
  2. ^ "African Wedding Traditions and Culture". 
  3. ^ "Funerals in Ghana". 

Further reading

  • Anyiam, Thony C. (2007), Jumping the Broom in Style, Authorhouse, ISBN 1-4259-8638-2.
  • Cole, Harriette (2004), Jumping the Broom: The African-American Wedding Planner, 2nd Ed., Owl Books, pg. 117, ISBN 0-8050-7329-9.
  • Hoyt-Goldsmith, Diane (1994), Celebrating Kwanzaa, Holiday House, ISBN 0-8234-1130-3.
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