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Mira Schor

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Mira Schor

Mira Schor
File:Mira Schor 1973.png
Born (1950-06-01) June 1, 1950 (age 64)
New York City
Nationality American
Occupation Artist, Writer, Editor & Educator

Mira Schor (b. in New York City in 1950) is an American artist, writer, editor, and educator, known for her contributions to the critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.

Early life and education

Mira Schor's parents Ilya and Resia Schor were Polish-born artists who came to the US in 1941. (In 2003, Schor produced a video documentary on her parents’ work, The Tale of the Goldsmith’s Floor, originally created for the 2003 Brown University and differences conference, “The Lure of the Detail,”[1]). Mira Schor and her older sister Naomi Schor (1943–2001), a noted scholar of French Literature and Feminist theory, were both educated at the Lycée Français de New York. After receiving her Baccalauréat in 1967, Mira Schor studied art history at New York University (WSC B.A. 1970). During this time she worked as an assistant to Red Grooms and Mimi Gross. She received a Master of Fine Arts degree in Painting from California Institute of the Arts (CalArts) in 1973. There she was a participant in the CalArts Feminist Art Program’s renowned project Womanhouse (1972). In the Feminist Art Program she studied with Miriam Shapiro and Judy Chicago. Later at CalArts she studied with Los Angeles-born sculptor Stephan Von Huene.

Painting

Schor’s visual work balances political and theoretical concerns with formalist and material passions. Her work has included major periods in which gendered narrative and representation of the body has been featured, but the predominant focus of her work has been representation of language in Marianne Boesky Gallery in New York.

In the 1980s and 90s, Schor's work was also been exhibited in New York at the Edward Thorp Gallery, Horodner Romley Gallery, and in group exhibitions including at the and on Artforum.com.

Gallery

Writing and Scholarship

Schor has written frequently on issues of gender representation, including “Backlash and Appropriation,” a chapter of The Power of Feminist Art, 1994, an historical overview of the Feminist movement published by visual culture and for arguing for the compatibility and mutuality of painterly and theoretical practices.

Schor was awarded a 2009 A Year of Positive Thinking, a blog on contemporary art.

In 2010 she delivered a lecture called "On Failure and Anonymity" for a collaborative project called #class at Winkleman Gallery in New York.[4]

Teaching

She taught at NSCAD in Halifax, Nova Scotia (1974–1978), SUNY Purchase (1983–1985), Sarah Lawrence College (1991–1994), RISD (1999–2000), and was a resident artist at Skowhegan School in 1995. She has also taught in the Vermont College and MECA low-residency MFA programs as an artist/teacher, and at School of Visual Arts in the MFA in Art Criticism and Writing Program in 2006. For over a decade she has taught in the Fine Arts Department at Parsons The New School for Design.

Books

  • A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life, 2010
  • The Extreme of the Middle: Writings of Jack Tworkov, Yale University Press, 2009.
  • M/E/A/N/I/N/G: An Anthology of Artists' Writings, Theory, and Criticism, co-edited with Susan Bee, Duke University Press, 2000.
  • Wet: On Painting, Feminism, and Art Culture, Duke University Press, 1997.

Essays

  • “I am not now nor have I ever been …”, Brooklyn Rail, February 2008
  • “She Demon Spawn from Hell,” M/E/A/N/I/NG Online, 2006
  • "Backlash and Appropriation" in The Power of Feminist Art, Norma Broude & Mary Garrard, eds, Abrams, 1994
  • "Patrilineage," Feminist Art Criticism issue, Art Journal 50, No. 2 Summer 1991. Anthologized in New Feminist Criticism: Art/Identity/Action, HarperCollins, 1994 and The Feminism and Visual Culture Reader, Routledge, 2003; Translated into Czech, Neviditelná zena, Antologie soucasneho americkeko mysleni o feminismu, dejinach a vizualite, Martina Pachmanova, ed., One Woman Press, Prague, 2002.
  • “Figure/Ground,” M/E/A/N/I/N/G #6, reprinted in Wet & M/E/A/N/I/N/G: An Anthology, excerpted in Helen Reckitt & Peggy Phelan, Art and Feminism, London & New York: Phaidon Press Ltd., 2001.
  • "Medusa Redux: Ida Applebroog and the Spaces of Postmodernity," Artforum, March. Updated and published as catalogue essay for Ida Applebroog, Orchard Gallery, Derry, Northern Ireland, 1993; excerpts included in Ida Applebroog, Are You Bleeding Yet?, New York: La Maison Red, 2002.
  • "On Failure and Anonymity," Heresies 25, 1990.
  • “Appropriated Sexuality,” M/E/A/N/I/N/G #1, 1986. Anthologized in Theories of Contemporary Art, Richard Hertz, ed. (Prentice Hall, 1985), and republished in Wet and M/E/A/N/I/N/G: An Anthology of Artists' Writings, Theory, and Criticism.

Editor

Schor is the co-founder and co-editor, with Susan Bee, of the art journal, M/E/A/N/I/N/G. M/E/A/N/I/N/G: An Anthology of Artists' Writings, Theory, and Criticism, was published by Duke University Press in 2000. The archive of the journal was acquired by the M/E/A/N/I/NG Online

Grants and Awards

Bibliography

  • Knechtel, Tom. "Mira Schor: WarCrawl,” 2008, in Critical Models vol.1
  • Drucker, Johanna. Sweet Dreams: Contemporary Art and Complicity, UChicago Press, 2006. 124-8, color plate 6.
  • Jones, Amelia. Sexual Politics. UCLA at the Armand Hammer of Art and Cultural Center, UC Press, 2003.
  • Drucker, Johanna. The Century of Artists' Books, Granary Books, 1995.
  • Duncan, Michael. "Reviews," Art in America, April 1994.
  • Canning, Sue. "Reviews," Art Papers, Volume 18, no. 1, January & February 1994.
  • Humphrey, David. "New York FAX," Art Issues, no. 31, January/February 1994.
  • Phelan, Peggy. "Developing the Negative: Mapplethorpe, Schor, and Sherman" chapter of Unmarked, Routledge, 1993.
  • Larson, Kay. "The Painting Pyramid," New York Magazine, May 25, 1992.
  • Morgan, Robert C. "After The Deluge: The Return of the Inner Directed Artist," Arts Magazine, March, 1992. Reprinted with reproduction in After the Deluge: Essays for Art in the Nineties. New York: Red Bass, 1993.

Notes

External links

  • http://www.dukeupress.edu/books.php3?isbn=978-0-8223-4602-9
  • http://writing.upenn.edu/pepc/meaning/
  • http://www.artonair.org/archives/j/content/view/581/147/
  • http://www.miraschor.com/
  • http://www.dukeupress.edu/cgibin/forwardsql/search.cgi
  • http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300141023
  • Mira Schor at CB1 Gallery, Los Angeles
  • Mira Schor and Jason Andrew in Conversation with Phong Bui, Brooklyn Rail, October 2009

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