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Star Trek: The Original Series

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Star Trek: The Original Series

Star Trek
Star Trek title card for the first season
Created by Gene Roddenberry
Theme music composer Alexander Courage
Opening theme "Theme from Star Trek"
Country of origin United States
Original language(s) English
No. of seasons 3
No. of episodes 79 (List of episodes)
Executive producer(s) Gene Roddenberry
Running time 50 min[1]
Production company(s)
Distributor CBS Television Distribution
Original channel NBC
Picture format Original broadcasts:
480i (4:3 SDTV)
Remastered edition:
1080p (4:3 HDTV)
Audio format Monaural, Dolby Digital 5.1 (remastered edition), DTS-HD Master Audio 7.1 (Blu-ray)
Original run September 8, 1966 (1966-09-08) – June 3, 1969 (1969-06-03)
Followed by Star Trek: The Animated Series
Related shows
External links
at StarTrek.comStar Trek: The Original Series

Star Trek is an American science fiction television series created by Gene Roddenberry that follows the adventures of the starship USS Enterprise (NCC-1701) and its crew. It later acquired the retronym of Star Trek: The Original Series (Star Trek: TOS or TOS) to distinguish the show within the media franchise that it began.

The show is set in the Milky Way galaxy, roughly during the 2260s. The ship and crew are led by Captain James T. Kirk (William Shatner), first officer and science officer Spock (Leonard Nimoy), and chief medical officer Leonard McCoy (DeForest Kelley). Shatner's voice-over introduction during each episode's opening credits stated the starship's purpose:

Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

The series was produced 1966–67 by Desilu Productions, and by Paramount Television 1968–69. Star Trek aired on NBC from September 8, 1966 to June 3, 1969.[2] Star Trek '​s Nielsen ratings while on NBC were low, and the network canceled it after three seasons and 79 episodes. Nevertheless, the show had a major influence on popular culture and it became a cult classic in broadcast syndication during the 1970s. The show eventually spawned a franchise, consisting of five additional television series, 12 films, numerous books, games, toys, and is now considered one of the most popular science fiction television shows of all time.[3]


  • Creation and development 1
  • Production 2
    • Season 1 (1966–67) 2.1
    • Season 2 (1967–68) 2.2
    • Season 3 (1968–69) 2.3
    • Syndication 2.4
    • Remastered 2.5
  • Cast 3
    • Characterizations 3.1
    • Characters' cameo appearances in later series 3.2
    • Notable guest appearances 3.3
  • Episodes 4
    • Notable episodes 4.1
    • "Star Trek Memories" 4.2
  • Music 5
    • Theme song 5.1
    • Dramatic underscore 5.2
    • Episodes with original music 5.3
  • Awards 6
  • Distribution 7
    • Home media 7.1
    • Online distribution 7.2
    • Star Trek 2.0 on G4 7.3
  • Cultural influence 8
    • Parodies 8.1
    • Fan productions 8.2
  • Criticisms 9
  • See also 10
  • References 11
  • External links 12

Creation and development

In 1964, Gene Roddenberry, a longtime fan of science fiction, drafted a proposal for a science-fiction television series that he called Star Trek. This was to be set on board a large interstellar spaceship in the 23rd century,[4][5] whose crew was dedicated to exploring a relatively small portion of our galaxy, the Milky Way.

Some of the influences on his idea that Roddenberry noted included

  • Star Trek: The Original Series at
  • .com at CBSStar Trek: The Original Series
  • .com on HuluStar Trek: The Original Series
  • Star Trek: The Original Series show on YouTube

External links

  1. ^ "Star Trek".  
  2. ^ "Star Trek (a titles & telecast dates guide)". Retrieved April 4, 2010. 
  3. ^ Asherman, Allan (March 20, 1981). The Star Trek Compendium. New York:  
  4. ^ "STARTREK.COM: Universe Timeline". Retrieved July 14, 2009. 
  5. ^  
  6. ^ Asherman, Allan (March 20, 1981). The Star Trek Compendium. New York:  
  7. ^ a b c d Whitfield, Stephen PE; Roddenberry, Gene (1968). The Making of Star Trek. New York: Ballantine Books.  
  8. ^ Beck, Donald R. (Director) (1991). Star Trek: 25th Anniversary Special. 
  9. ^ Spiegel, Lee (February 6, 2012). "'"Nichelle Nichols On Having First Major Black Female TV Role And That First Interracial Kiss On 'Star Trek.  
  10. ^ William Shatner; Chip Walter; William Walters (August 1, 2002). I'm Working on That : A Trek From Science Fiction to Science Fact. Star Trek.  
  11. ^ a b c d e f g h Davies, Máire Messenger; Pearson, Roberta; Michael Lowell Henry (August 1, 2007). "The Little Program That Could: The Relationship Between NBC and Star Trek". In Hilmes, Michele; Henry, Michael Lowell. NBC: America's Network. University of California Press.  
  12. ^ ((cite URL= | title="The Man Trap))
  13. ^ a b c d e f g h "Television Obscurities - A Look At Star Trek". Television Obscurities. September 1, 2006. Retrieved May 14, 2011. 
  14. ^ Millrod, Jack (September 16, 1996). "The Trek Continues (? Illegible)". Pittsburgh Post-Gazette. pp. D1. Retrieved April 26, 2011. 
  15. ^ "The numbers game, part one." Broadcasting. Sep. 19, 1966: 58-60.
  16. ^ Gowran, Clay. "Nielsen Ratings Are Dim on New Shows." Chicago Tribune. October 11, 1966: B10.
  17. ^ Gould, Jack. "How Does Your Favorite Rate? Maybe Higher Than You Think." The New York Times. October 16, 1966: 129.
  18. ^ Scheuer, Steven H. (February 20, 1967). "TV Key Mailbag". The Morning Record (Meriden, Connecticut). pp. 4A. Retrieved May 12, 2011. 
  19. ^ a b c d e f g h Pearson, Roberta; Niki Strange (February 2, 2011). "Cult Television as Digital Television's Cutting Edge". In Bennett, James; Strange, Niki. Television as Digital Media. Duke University Press. pp. 105–131.  
  20. ^ Bob Thomas (May 25, 1976). "Roddenberry would like to leave 'Star Trek' behind". Williamson Daily News (Williamson, West Virginia). Associated Press. p. 14. Retrieved May 15, 2011. 
  21. ^ "NBC fills final hole for 1967-68." Broadcasting. March 6, 1967: 52.
  22. ^ Gent, George. "Alex Segal to Produce 3 Danny Thomas TV Shows." The New York Times. March 15, 1967: 9.5.
  23. ^ a b Lowry, Cynthia (March 29, 1968). "TV Fans Save Space Ship Enterprise From Mothballs".  
  24. ^ a b c Lowry, Cynthia (January 17, 1968). "'"One Network Goes 'Unconventional. Nashua Telegraph. Associated Press. p. 13. Retrieved April 29, 2011. 
  25. ^ "US TV Nielsen Ratings 1967-1968". The Classic TV Archive. Retrieved April 29, 2011. 
  26. ^ Conley, Rita (April 16, 1972). "Day-To-Day Fare Can Help People Cope With Life". Sarasota Herald-Tribune. p. 13. Retrieved May 4, 2011. 
  27. ^ a b c d Poe, Stephen Edward (1998). A Vision of the Future. Simon and Schuster. pp. 138–139.  
  28. ^ a b Solow, Herbert F.; Justman, Robert H. (June 1, 1997). Inside Star Trek: The Real Story.  
  29. ^ a b c d Page, Don (August 15, 1968). Star Trek' Lives Despite Taboos"'". Toledo Blade. Retrieved April 29, 2011. 
  30. ^ Michaud, Michael A. G. (1986). Reaching for the high frontier: the American pro-space movement, 1972-84. Praeger.  
  31. ^ "Star Trekkers Are Restored". Hartford Courant Mar 17, 1968. 12H.
  32. ^ a b c Scott, Vernon (February 7, 1968). "'"Letters Can Save 'Star Trek. The Press-Courier (Oxnard, California). United Press International. p. 17. Retrieved April 29, 2011. 
  33. ^ Harrison, Scott (April 25, 2011). Star Trek' protest"'". Los Angeles Times. Tribune Company. Retrieved April 26, 2011. 
  34. ^ a b c Svetkey, Benjamin (September 27, 1991). "The 'Enterprise' turns 25". Entertainment Weekly. Retrieved May 14, 2011. 
  35. ^ David Gerrold, quoting Bjo Trimble, in The World of Star Trek, Ballantine Books, 1973, p. 166.
  36. ^ Lowry, Cynthia (May 21, 1969). "Why Some Shows Expired". The Free Lance-Star (Fredericksburg, Virginia). Associated Press. p. 2. Retrieved May 6, 2011. 
  37. ^ "Laugh-In staying put." Broadcasting. March 18, 1968: 9.
  38. ^ "Missing links in the TV chains." Broadcasting. January 13, 1969: 48-52.
  39. ^ David Gerrold, The World of Star Trek, Ballantine Books, 1973.
  40. ^ "Fall line-ups go on the street." Broadcasting. March 4, 1968: 23-28.
  41. ^ William Shatner, Star Trek Memories, Harper Torch, 1994 paperback, pp. 290–291.
  42. ^ Nichols, Nichelle (1994). Beyond Uhura: Star Trek and Other Memories. G. P. Putnam's. p. 189.  
  43. ^ "Star Trek".   "78 episodes (counting the two-part "The Menagerie" only once, and not counting the first commissioned pilot, "The Cage," which did not air during this time)."
  44. ^ "Ask TV Scout". The Palm Beach Post. July 18, 1969. Retrieved April 29, 2011. 
  45. ^ "25 Biggest TV Blunders 2" (in English). July 31, 2011. TV Guide Network. "#4 - NBC Cancels 'Star Trek'"
  46. ^ "Students rate television". Telegraph Herald (Dubuque, Iowa). April 28, 1971. p. 6. Retrieved May 12, 2011. 
  47. ^ a b c Teitelbaum, Sheldon (May 5, 1991). "How Gene Roddenberry and his Brain Trust Have Boldly Taken 'Star Trek' Where No TV Series Has Gone Before : Trekking to the Top". Los Angeles Times (Tribune Company). p. 16. Retrieved January 24, 2012. 
  48. ^ a b Abbott, Stacey (March 10, 2010). The Cult TV Book. I.B. Tauris.  
  49. ^ a b "Star Trek Syndication Advertisements, Circa 1969-1970". Television Obscurities. December 15, 2008. Retrieved May 15, 2011. 
  50. ^ Meehan, Eileen R. (2005). Why TV is not our fault: television programming, viewers, and who's really in control. Rowman & Littlefield.  
  51. ^ a b c Hale, Barrie (April 26, 1975). "Believing in Captain Kirk". Calgary Herald. p. 10. Retrieved May 14, 2011. 
  52. ^ a b Shult, Doug (July 3, 1972). "Cult Fans, Reruns Give 'Star Trek' an Out of This World Popularity". Milwaukee Journal. Retrieved March 4, 2011. 
  53. ^ Buck, Jerry (March 14, 1972). Star Trek' Engenders Cult in U.S., England"'". Associated Press. Retrieved March 4, 2011. 
  55. ^ "Star Trek".  
  56. ^ "Star Trek Rechanneled". Evening Independent (St. Petersburg, Florida). May 6, 1972. pp. 3A. Retrieved May 12, 2011. 
  57. ^ Montgomery, Paul L. (March 11, 1973). Star Trekkies' Show Devotion"'". The Ledger (Lakeland, Florida). The New York Times. p. 34. Retrieved May 12, 2011. 
  58. ^ Cerone, Daniel (April 2, 1994). "Trek On Into the 21st Century". Los Angeles Times. Retrieved March 7, 2011. 
  59. ^ "Original Star Trek Getting a CGI Makeover!". August 28, 2006. Retrieved April 23, 2007. 
  60. ^ Anthony Pascale (November 20, 2006). "Behind the Scenes at CBS Digital". Retrieved April 23, 2007. 
  61. ^ "TOS Remastered: Format". Retrieved 2012-09-07. 
  62. ^ David Lambert (February 18, 2008). "Reports Say HD DVD Format To Be Discontinued". Retrieved February 19, 2008. 
  63. ^ David Lambert (March 21, 2008). "Release Date for Star Trek – Season 2 (Remastered) on DVD". Retrieved March 22, 2008. 
  64. ^ David Lambert (March 21, 2008). "Release Date, Exclusive Early Look at Package Art, for Remastered 3rd Season of TOS". Retrieved March 22, 2008. 
  65. ^ "Star Trek – The Original Series – Season 1 – Complete Blu-ray". 
  66. ^ "Home Media Magazine " 16319 " Star Trek Season 2 Blu Ray Due Sept 22 16319". July 9, 2009. Retrieved July 15, 2009. 
  67. ^ "Star Trek DVD news: Announcement for Star Trek - Season 3 on Blu-ray Disc". Retrieved September 7, 2012. 
  68. ^ "Star Trek DVD news: Update about Star Trek: Alternate Realities". Retrieved September 7, 2012. 
  69. ^ Lee Speigel (2011-11-30). "Gene Roddenberry's Son Reveals Unhappy 'Star Trek' Family Life". Huffington Post. 
  70. ^ William Shatner's Star Trek Memories - documentary film, released 1995.
  71. ^ Lindley, Robin (2005). "Russian Crewlette". Retrieved December 13, 2006. 
  72. ^ Rioux, Terry Lee (February 1, 2005). From sawdust to stardust: the biography of DeForest Kelley, Star trek's Dr. McCoy. Simon and Schuster.  
  73. ^ Leonard Nimoy, I am Spock, Hyperion Books, 1995. pp. 85–88.
  74. ^ Robert Jewett & John Lawrence, The Myth of the American Superhero, William B. Eerdsman Co, 2002. p. 230
  75. ^ McFarland, Melanie. "Interracial romance now the norm on TV, but real-life issues are ignored.".  
  76. ^ ; Oldenburg University thesis, 1994, pp. 63, 139Star Trek: The American Dream Continued? The Crisis of the American Dream in the 1960s and its Reflection in a Contemporary TV SeriesPeter Műller, .
  77. ^ Entertainment Weekly Special Edition. January 18, 1995. 
  78. ^ "IGN's Top 10 Classic Star Trek Episodes". IGN. Retrieved August 11, 2012. 
  79. ^ Leonard Nimoy: Star Trek Memories at the Internet Movie Database
  80. ^ "Unthemely Behavior".  
  81. ^ Bond, Jeff. Liner notes for the Original Series Soundtrack Collection box set. La-La Land Records, 2012, season 2 p. 29,31.
  82. ^ Steiner, Fred (1985). "Music for Star Trek: Scoring a Television Show in the Sixties". In Newsom, Iris. Wonderful inventions: motion pictures, broadcasting, and recorded sound at the Library of Congress. Washington: Library of Congress.  
  84. ^ Bond, Jeff (1999). "Star Trek Episode Production Guide". The Music Of Star Trek. Los Angeles: Lone Eagle Publishing Company.  
  85. ^ "Special Collectors' Issue: 100 Greatest Episodes of All Time".  
  86. ^ TV Guide - The 25 Top Cult Shows Ever! May 30-June 5, 2004 issue
  87. ^ TV Guide Names the Top Cult Shows Ever - Today's News: Our Take TV Guide: June 29, 2007
  88. ^ Fretts, Bruce; Roush, Matt. "The Greatest Shows on Earth". TV Guide Magazine 61 (3194-3195): 16–19. 
  89. ^ "Star Trek – The Original Series – Series 1 – Complete – Remastered [Blu-ray] [1966]: DVD". Retrieved May 23, 2009. 
  90. ^ Waldman, Allison (February 21, 2008). "CBS adds TV classics to web line up". TV Squad. Retrieved March 30, 2008. 
  91. ^ Pascale, Anthony (April 6, 2011). "Netflix Update: All Star Trek TV Series To Begin Streaming In July". Retrieved August 11, 2012. 
  92. ^
  93. ^ a b Pascale, Anthony (May 29, 2010). "Flashback to May 29, 1976 – Watch SNL's "The Last Voyage of the Starship Enterprise" Skit".  
  94. ^ a b Keller, Richard (July 18, 2008). "Star Trek: the television parodies - VIDEOS".  
  95. ^ "Star Wreck mirror @". Retrieved August 2, 2012. 
  96. ^ Baker, Chris (December 17, 2007). "Videogames & Futurama, Part 1: Raiders of the Lost Arcade". Retrieved 2008-02-02. 
  97. ^ "What did Patrick Stewart think of Galaxy Quest?".  
  98. ^ Lyall, Sarah (January 27, 2008). "To Boldly Go Where Shakespeare Calls".  
  99. ^ "WIL WHEATON dot NET: Where is my mind?: Tangent". September 24, 2001. Retrieved 2012-09-07. 
  100. ^ Charlie Jane Anders (2014-04-15). "Was Star Trek Ever Really Intelligent, Grown-Up Science Fiction?". IO9. 
  101. ^ "Getting Star Trek on the air was impossible". Letters of Note. 25 June 2012. Retrieved 6 September 2014. 


See also

Rod Serling said of Star Trek, "Star Trek was again a very inconsistent show which at times sparkled with true ingenuity and pure science fiction approaches. At other times it was more carnival-like, and very much more the creature of television than the creature of a legitimate literary form."[100] Isaac Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Trek '​s initial run in the late 1960s. Asimov wrote a critical essay on Star Trek '​s scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming despite its inaccuracies, that Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects.[101]


Star Trek has inspired many fans to produce stories for free Internet distribution. Many of these are set in the time of The Original Series, including Star Trek: Phase II which was nominated for a Hugo Award and received support from actors and writers who were involved with The Original Series.

Fan productions

John Scalzi's novel Redshirts, winner of the 2013 Hugo Award for Best Novel, uses the theme of red-shirted Star Fleet officers as cannon fodder.

The series has also been parodied on The Simpsons,[94] Family Guy and notably in the Futurama episode "Where No Fan Has Gone Before", which was described by Wired magazine as a "touchstone" for fans.[96] The 1999 film Galaxy Quest portrays the lives of a once-popular television space-drama crew who are kidnapped by real aliens who have mistaken the fictional series for reality.[97][98] The main characters are parodies of Star Trek characters, and many of the plot elements refer to or parody popular 1960s TV-series customs.[99]

An entire Finnish parody series Star Wreck was produced starting in 1992, culminating with Star Wreck: In the Pirkinning in 2005, all available as legal downloads on the web.[95]

The Original Series has been parodied many times in other television series. Saturday Night Live produced two famous sketches parodying The Original Series, "The Last Voyage of the Starship Enterprise" in 1976[93] and William Shatner's own "Get a life" sketch in 1986 (which parodied the show's "trekkie" followers). "The Last Voyage of the Starship Enterprise" is a twelve-minute sketch, written by Michael O'Donoghue. It was described by as "one of the best Star Trek parody sketches of all time".[93] TVSquad ranked Shatner's "Get a life" sketch alongside "The Last Voyage..." as one of the most famous parodies of the show.[94]


Cultural influence

An "urgent subspace message" on the Star Trek 2.0 Hailing Frequencies e-newsletter stated that Star Trek: The Next Generation 2.0 was scheduled for a "refit". It no longer featured live chat, stats, or facts on screen.

On January 15, 2007, G4 launched Star Trek: The Next Generation 2.0 at 9:00 p.m. Monday through Friday. Star Trek: The Next Generation 2.0 featured The Next Generation trivia along with 32 (up from 24) new stocks for the Spock Market game.

As a promotion for Star Trek 2.0, advertising agency 72andSunny created four 30-second stop-motion commercials using detailed Mego action figures of the Enterprise crew, which became enormously popular on video sites such as YouTube as well as's "Streaming Pile" site. Spock was voiced by Charlie Murphy (brother of Eddie Murphy). They also released a minute-long "Director's Cut" of the Cribs clip.[92]

On April 10, 2006, an interactive version of TOS, known as Star Trek 2.0, began broadcast on the television channel G4, where members could participate in an online chat while watching the show. Messages from the online chat were sometimes shown during the broadcast along with trivia provided by the G4 staff. G4 also offered a "Spock Market" online game where participants could trade 24 stocks. In 2007, G4 stopped airing the show in its 2.0 format.

Star Trek 2.0 on G4

Netflix began online streaming of five of the six Star Trek television series on July 1, 2011; Deep Space Nine followed on October 1, 2011.[91]

In January 2007, the first season of Star Trek: The Original Series became available for download from Apple's iTunes Store. Although consumer reviews indicate that some of the episodes on iTunes are the newly "remastered" editions, iTunes editors had not indicated such, and if so, which are which. All first season episodes that had been remastered and aired were available from iTunes, except "Where No Man Has Gone Before", which remains in its original form. On March 20, 2007, the first season was again added to the iTunes Store, with separate downloads for the original and remastered versions of the show, though according to the customer reviews, the original version contains minor revisions such as special effect enhancements.

CBS Interactive is presenting all 3 seasons of the series via the iPhone app. The full-length episodes, without the new CGI but digitally processed to remove the original celluloid artifacts, are available to users in the USA at no charge but with embedded ads. Short clips from the shows are also viewable at their web site.[90]

Online distribution

All 79 episodes of the series have been digitally remastered by CBS Home Entertainment (distributed by Paramount) and have since been released on DVD. Paramount released Season One of The Original Series on Blu-ray on April 29, 2009. The Blu-ray release contains both Original and Remastered episodes by seamless branching.

Episodes of the Original Series were among the first television series to be released on the VHS and laserdisc formats in North America in the 1980s, with all episodes eventually being released on both formats. With the advent of DVD in the late 1990s, single DVDs featuring two episodes each in production order were released. In the early 2000s, Paramount Home Video reissued the series to DVD in a series of three deluxe season boxes with added featurettes and documentaries. In February 2009 Paramount announced that they would release the Original Series on Blu-ray. Season one, two, and three were released on August 28, September 22, and December 15, respectively. The Blu-ray releases let the user choose between "Enhanced Effects" or "Original Effects" via technique called multi-angle.[89]

Home media


In 2013, TV Guide ranked Star Trek #12 on their list of the 60 Greatest Shows of All Time.[88]

In 2004 and 2007, TV Guide ranked Star Trek as the greatest cult show ever.[86][87]

In 1997, "The City on the Edge of Forever" was ranked #92 on TV Guide's 100 Greatest Episodes of All Time.[85]

In 1967, Star Trek was also one of the first television programs to receive an NAACP Image Award. In 1968, Star Trek '​s most critically acclaimed episode, "The City on the Edge of Forever," written by Harlan Ellison, won the prestigious Writers Guild of America Award for Best Original Teleplay, although this was for Ellison's original draft script, and not for the screenplay of the episode as it aired.

Eight of its episodes were nominated for one of science-fiction's top awards, the Hugo Award, in the category "Best Dramatic Presentation". In 1967, the nominated episodes were "The Naked Time", "The Corbomite Maneuver", and "The Menagerie". In 1968, all nominees were Star Trek episodes: "Amok Time", "Mirror, Mirror", "The Doomsday Machine", "The Trouble with Tribbles", and "The City on the Edge of Forever". Star Trek won both years for the episodes "The Menagerie" and "The City on the Edge of Forever", respectively. In 1968, Star Trek (the T.V. show) won a special Hugo Award for Dramatic Presentation. No episode was named. This was the show's 3rd Hugo Award.

  • Outstanding Dramatic Series (Gene Roddenberry and Gene L. Coon), 1967
  • Outstanding Dramatic Series (Gene Roddenberry), 1968
  • Outstanding Supporting Actor (Leonard Nimoy as Mr. Spock), 1967, 1968, 1969
  • Individual Achievement in Art Direction and Allied Crafts (Jim Rugg), 1967
  • Individual Achievement in Cinematography (Darrell Anderson, Linwood G. Dunn, and Joseph Westheimer), 1967
  • Individual Achievement in Film and Sound Editing (Douglas Grindstaff), 1967
  • Outstanding Achievement in Film Editing (Donald R. Rode), 1968
  • Special Classification of Individual Achievement for Photographic Effects (The Westheimer Company), 1968
  • Outstanding Achievement in Art Direction and Scenic Design (John Dwyer and Walter M. Jeffries), 1969
  • Outstanding Achievement in Film Editing (Donald R. Rode), 1969
  • Special Classification Achievements for Photographic Effects (The Howard A. Anderson Company, The Westheimer Company, Van der Veer Photo Effects, Cinema Research), 1969.

Although this series never won any Emmys, Star Trek was nominated for the following Emmy awards:


Note: Although "The Way To Eden" had no original score, the episode had special musical material by Arthur Heinemann (the episode's writer), guest star Charles Napier and Craig Robertson. "Requiem for Methuselah" contains a Johannnes Brahms interpretation by Ivan Ditmars.

  1. "Spectre of the Gun" (Jerry Fielding)
  2. "Elaan of Troyius" (Fred Steiner)
  3. "The Paradise Syndrome" (Gerald Fried)
  4. "The Enterprise Incident" (Alexander Courage)
  5. "And the Children Shall Lead" (George Duning)
  6. "Spock's Brain" (Fred Steiner)
  7. "Is There in Truth No Beauty?" (George Duning)
  8. "The Empath" (George Duning)
  9. "Plato's Stepchildren" (Alexander Courage)[84]

Season 3:

  1. "Catspaw" (Gerald Fried)
  2. "Metamorphosis" (George Duning)
  3. "Friday's Child" (Gerald Fried)
  4. "Who Mourns for Adonais?" (Fred Steiner)
  5. "Amok Time" (Gerald Fried)
  6. "The Doomsday Machine" (Sol Kaplan)
  7. "Mirror, Mirror" (Fred Steiner)
  8. "I, Mudd" (Samuel Matlovsky)
  9. "The Trouble with Tribbles" (Jerry Fielding)
  10. "By Any Other Name" (Fred Steiner)
  11. "Patterns of Force" (George Duning)
  12. "The Omega Glory" (Fred Steiner)
  13. "Return to Tomorrow" (George Duning)

Season 2:

  1. "The Cage" (Alexander Courage)
  2. "Where No Man Has Gone Before" (Alexander Courage)
  3. "The Corbomite Maneuver" (Fred Steiner)
  4. "Mudd's Women" (Fred Steiner)
  5. "The Enemy Within" (Sol Kaplan)
  6. "The Man Trap" (Alexander Courage)
  7. "The Naked Time" (Alexander Courage)
  8. "Charlie X" (Fred Steiner)
  9. "Balance of Terror" (Fred Steiner)
  10. "What Are Little Girls Made Of?" (Fred Steiner)
  11. "The Conscience of the King" (Joseph Mullendore)
  12. "Shore Leave" (Gerald Fried)
  13. "The City on the Edge of Forever" (Fred Steiner)

Season 1:

Listed in production order. Episodes that were only partially scored are in italics.

Episodes with original music

Some of the original recordings of the music were released in the United States commercially on the GNP Crescendo Record Co. label. Music for a number of the episodes was re-recorded by Fred Steiner and the Royal Philharmonic Orchestra for the Varèse Sarabande label; and by Tony Bremner with the Royal Philharmonic for the Label X label. Finally in December 2012, the complete original recordings were released by La-La Land Records as a 15-CD box set, with liner notes by Jeff Bond.[83]

The tracked musical underscores were chosen and edited to the episode by the music editors, principal of whom were Robert Raff (most of Season One), Jim Henrikson (Season One and Two), and Richard Lapham (Season Three).[82]

Beyond the short works of Jerry Fielding, Gerald Fried, Sol Kaplan, Samuel Matlovsky, Joseph Mullendore, and Fred Steiner. The composers conducted their own music. Of these composers, Steiner composed the original music for thirteen episodes and it is his instrumental arrangement of Alexander Courage's main theme that is heard over many of the end title credits of the series.

Screen credits for the composers were given based on the amount of music composed for, or composed and reused in, the episode. Some of these final music credits were occasionally incorrect.

For budgetary reasons, this series made significant use of "tracked" music, or music written for other episodes that was reused in later episodes. Of the 79 episodes that were broadcast, only 31 had complete or partial original dramatic underscores created specifically for them. The remainder of the music in any episode was tracked from other episodes and from cues recorded for the music library. Which episodes would have new music was mostly the decision of Robert H. Justman, the Associate Producer during the first two seasons.

Dramatic underscore

Later episodes used stock recordings from Courage's earlier work. Jazz trumpeter Maynard Ferguson recorded a jazz fusion version of the tune with his big band during the late 1970s, and Nichelle Nichols performed the song live complete with lyrics.

The show's theme tune, immediately recognizable by many, was written by Alexander Courage, and has been featured several Star Trek spin-off episodes and motion pictures. Gene Roddenberry subsequently wrote a set of accompanying lyrics, even though the lyrics were never used in the series, nor did Roddenberry ever intend them to be; this allowed him to claim co-composer credit and hence 50% of the theme's performance royalties. Courage considered Roddenberry's actions, while entirely legal, to be unethical.[80] Series producer Robert Justman noted in the book Inside Star Trek The Real Story, that work on the film Doctor Dolittle kept Courage from working on more than two episodes of the first season. However, Justman also believed that Courage lost enthusiasm for the series because of the "royalty" issue.[28]:185 Courage did not score any episodes of the second season; however he did conduct a recording session for about 30 minutes of "library cues" for the second season, on June 16, 1967.[81] Courage returned to score two episodes of the third season.

Theme song


In 1983, Leonard Nimoy hosted a one-hour special as a promotional tie-in with the film Star Trek III: The Search for Spock, in which he recounted his memories of working on the original series and explained the origins of things such as the Vulcan nerve pinch and the Vulcan salute.[79]

"Star Trek Memories"

Rank Entertainment Weekly[77] IGN[78]
1 "The City on the Edge of Forever" "The City on the Edge of Forever"
2 "Space Seed" "Balance of Terror"
3 "Mirror, Mirror" "Mirror, Mirror"
4 "The Doomsday Machine" "Space Seed"
5 "Amok Time" "The Trouble with Tribbles"
6 "The Devil in the Dark" "Where No Man Has Gone Before"
7 "The Trouble with Tribbles" "The Enemy Within"
8 "This Side of Paradise" "The Naked Time"
9 "The Enterprise Incident" "This Side of Paradise"
10 "Journey to Babel" "Arena"
: Star TrekSeveral publications have ranked the ten best episodes of

Notable episodes

Several episodes used the concept of planets developing parallel to Earth, allowing reuse of stock props, costumes, and sets. "Bread and Circuses", "Miri", "The Omega Glory", and "The Paradise Syndrome" depict such worlds, and three episodes, "A Piece of the Action", "Patterns Of Force", and "Plato's Stepchildren" are based on alien planets that have adopted period Earth cultures (Prohibition-era Chicago, Nazi Germany, and ancient Greece, respectively). Two episodes depicting time travel ("Tomorrow Is Yesterday" and "Assignment: Earth") conveniently place Enterprise in orbit above 1960s Earth; a third ("The City on the Edge of Forever") places members of the crew on 1930s Earth.

The series was noted for its sense of humor, such as Spock's and McCoy's pointed, yet friendly, bickering. Certain episodes, such as "The Trouble with Tribbles", "I, Mudd", and "A Piece of the Action", were written and staged as comedies with dramatic elements. However most episodes were presented as action/adventure dramas, frequently including space battles or fist fights between the ship's crew and guest antagonists.

However, the show experienced network and/or sponsor interference, up to and including wholesale censorship of scripts and film footage. This was a regular occurrence in the 1960s and Star Trek suffered from its fair share of tampering. Scripts were routinely vetted and censored by the staff of NBC's Broadcast Standards Department, who copiously annotated every script with demands for cuts or changes (e.g. "Page 4: Please delete McCoy's expletive, 'Good Lord'" or "Page 43: Caution on the embrace; avoid open-mouthed kiss").[76]

Episodes such as "The Apple", "Who Mourns for Adonais?", "The Mark of Gideon", and "The Return of the Archons" display subtle anti-religious (owing mainly to Roddenberry's own secular humanism) and anti-establishment themes. "Bread and Circuses" and "The Omega Glory" have themes that are more pro-Christian or patriotic.

Roddenberry often utilized the setting of a space vessel set many years in the future to comment on social issues of the 1960s United States, including sexism, racism, nationalism, and global war.[29] In November 1968, just a few months after the first televised interracial touch, the episode "Plato's Stepchildren" was the first American television show to feature a scripted interracial kiss between characters (Capt. Kirk and Lt. Uhura), although the kiss was only mimed (obscured by the back of a character's head) and depicted as involuntary.[75] "Let That Be Your Last Battlefield" presented a direct allegory about the irrationality and futility of racism. Anti-war themes appear in episodes such as "The Doomsday Machine", depicting a planet-destroying weapon as an analogy to nuclear weapons deployed under the principle of mutually assured destruction, and "A Taste of Armageddon" about a society which has "civilized" war to the point that they no longer see it as something to avoid.

In its writing, Star Trek is notable as one of the earliest science-fiction TV series to use the services of leading contemporary science fiction writers, such as Robert Bloch, Norman Spinrad, Harlan Ellison, and Theodore Sturgeon, as well as established television writers. Series script editor Dorothy C. Fontana (originally Roddenberry's secretary) played a key role in the success of Star Trek—she edited most of the series' scripts and wrote several episodes. Her credits read D.C. Fontana at the suggestion of Gene Roddenberry, who felt a female science fiction writer might not be taken seriously in the majority-male field.

Shatner and Julie Newmar (1967)


Guest roles on the series have featured actors such as:

Notable guest appearances

Besides the above examples, there have been numerous non-canon novels and comic books published over the years in which The Original Series era crew are depicted in the The Next Generation era, either through time-travel or other means. In addition, many actors who appeared on The Original Series later made guest appearances as different characters in later series, most notably Majel Barrett, who not only provided the voice for most Starfleet computers in episodes of every spin-off series (including a single appearance on Star Trek: Enterprise, where the computers normally did not speak at all), but also had the recurring role of Lwaxana Troi in The Next Generation and Deep Space Nine. Diana Muldaur, a guest star in the episodes "Return to Tomorrow" and "Is There in Truth No Beauty?" of the original Star Trek series, played Dr. Katherine Pulaski in the second season of Star Trek: The Next Generation.

  • Leonard "Bones" McCoy, now a 137-year-old admiral, inspects the Enterprise-D during its first mission in "Encounter at Farpoint".
  • Scotty, now chronologically 147 years old, but still only physically 72 years old after spending 75 years trapped in a transporter buffer, is rescued by the Enterprise-D crew and resumes his life in "Geordi La Forge, Scotty uses some creative engineering to save the Enterprise. A grateful Captain Picard lends him a shuttlecraft indefinitely.
  • Spock, now a Vulcan ambassador, goes underground in the Romulan Empire in hopes of fostering peaceful coexistence with the Federation and reunification with Vulcan society ("Unification, Parts I and II"). He also appears in the 2009 reboot film where his science vessel originated from the 24th Century-era of TNG. He ends up stranded in the 23rd century of the film series, where he settles on new Vulcan; in the sequel film Star Trek: Into Darkness, he is contacted by his younger self-regarding the villainous Khan Noonien Singh.
  • Sarek, Spock's father, continues to be an ambassador for the next century until his final mission during which he evidences signs of Bendii Syndrome. He later dies suffering from this affliction, but not before giving Captain Picard key information for locating his missing son ("Unification").
  • James Kirk disappears in 2293 during the maiden voyage of the Enterprise-B as seen in the film Star Trek: Generations. However, 78 years later Kirk is recovered from The Nexus, an alternative plane of existence, by Enterprise-D Captain Jean-Luc Picard in the same film. Kirk's time in the 24th century is short however; he is killed while helping to defeat Dr. Tolian Soran.
  • Kang, Koloth, and Kor, the three Klingons featured in "Day of the Dove", "The Trouble with Tribbles" and "Errand of Mercy", continue to serve the Empire well into the 24th century. They appear in the Star Trek: Deep Space Nine episode "Blood Oath" in which Kang and Koloth are killed. Kor later appears in two more episodes: "The Sword of Kahless" and finally in "Once More Unto the Breach" where he dies fighting in the Dominion War. A younger version of Kang, from the era of Star Trek VI: The Undiscovered Country, later appears in the Star Trek: Voyager episode "Flashback".
  • Sulu, promoted to captain of the USS Excelsior in Star Trek VI: The Undiscovered Country, reprises his role from that performance in the Star Trek: Voyager episode "Flashback". Janice Rand also appears in that same episode.
  • Arne Darvin, the Klingon disguised as a human in "The Trouble with Tribbles", appears in "Trials and Tribble-ations" with the intent to return to Deep Space Station K7 in 2267 and assassinate Kirk, whom Darvin blamed for his disgrace within the Klingon Empire.

The sequel to the original series, Star Trek: The Next Generation, which premiered in 1987, was set about 100 years after the events of TOS. As that show and its spin-offs progressed, several TOS characters made appearances:

Characters' cameo appearances in later series

The Spock character was at first rejected by network executives, who were apprehensive that his vaguely "Satanic" appearance (with pointed ears and eyebrows) might prove upsetting to some viewers, and (according to Leonard Nimoy) they repeatedly urged Roddenberry to "drop the Martian". Roddenberry was also dismayed to discover that NBC's publicity department deliberately airbrushed out Spock's pointed ears and eyebrows from early publicity stills sent to network affiliates, because they feared that his 'demonic' appearance might offend potential buyers in the religiously conservative southern states. Spock, however, went on to become one of the most popular characters on the show, as did McCoy's impassioned country-doctor personality. Spock, in fact, became a sex symbol of sorts[73] – something no one connected with the show had expected. Leonard Nimoy notes that the question of Spock's extraordinary sex appeal emerged "almost any time I talked to someone in the press...I never give it a try to deal with the question of Mr. Spock as a sex symbol is silly."[74]

The three main characters were Kirk, Spock, and McCoy, with writers often playing the different personalities off each other: Kirk was passionate and often aggressive, but with a sly sense of humor; Spock was coolly logical; and McCoy was sardonic, emotional, and illogical, but always compassionate. In many stories the three clashed, with Kirk forced to make a tough decision while Spock advocated the logical but sometimes callous path and McCoy (or "Bones," as Kirk nicknamed him) insisted on doing whatever would cause the least harm. McCoy and Spock had a sparring relationship that masked their true affection and respect for each other, and their constant arguments became popular with viewers.[72]:153–154 The show so emphasized dialogue that writer and director Nicholas Meyer (involved with the Star Trek films) called it a radio drama, showing an episode to a film class without video to prove that the plot was still comprehensible.[47]

Star Trek made celebrities of its cast of largely unknown actors. Kelley had appeared in many films and television shows, but mostly in smaller roles that showcased him as a villain. Nimoy also had previous television and film experience but was also not well known. Nimoy had partnered previously with Shatner in a 1964 episode of The Man from U.N.C.L.E., "The Project Strigas Affair", and with Kelley (as a doctor) in a 1963 episode of The Virginian, "Man of Violence", both more than two years before Star Trek aired for the first time. Before Star Trek, Shatner was well known in the trade, having appeared in several notable films, played Cyrano de Bergerac on Broadway, and even turned down the part of Dr. Kildare. However, when roles became sparse he took the regular job after Jeffrey Hunter's contract was not renewed. After the episodes aired, many performers found themselves typecast because of their defining roles in the show. (Star Trek: The Next Generation actor Michael Dorn stated in 1991, however: "If what happened to the first cast is called being typecast, then I want to be typecast. Of course, they didn't get the jobs after `Trek.' But they are making their sixth movie. Name me someone else in television who has made six movies!"[47])

Promotional photo of the cast of Star Trek during the third season (1968–1969). From left to right: George Takei.


In addition, the series frequently included characters (usually security personnel wearing red uniforms) who are killed or injured soon after their introduction. So prevalent was this plot device that it inspired the term "redshirt" to denote a stock character whose sole purpose is to die violently to show the dangerous circumstances facing the main characters.

It was intended that Sulu's role be expanded in the second season, but owing to Takei's part in John Wayne's The Green Berets, he only appeared in half the season, with his role being filled by Walter Koenig as the relatively young, mop-topped Russian navigator Ensign Pavel Chekov. When Takei returned, the two had to share a dressing room and a single episode script.[70] The two appeared together at the Enterprise helm for the remainder of the series. There may be some truth to the unofficial story that the Soviet Union's newspaper Pravda complained that there were no Soviets among the culturally diverse characters. This was seen as a personal slight to that country since the Soviet Russian Yuri Gagarin had been the first man to make a spaceflight. Gene Roddenberry said in response that "The Chekov thing was a major error on our part, and I'm still embarrassed by the fact we didn't include a Russian right from the beginning."[7] However, documentation from Desilu suggests that the intention was to introduce a character into Star Trek with more sex appeal to teenaged girls.[7] Walter Koenig noted in the 2006 40th anniversary special of Star Trek: The Original Series that he doubted the rumor about Pravda, since Star Trek had never been shown on Soviet television. It has also been claimed that the former member of The Monkees, Davy Jones, could have been the model for Mr. Chekov.[71]

While still casting the roles, Gene Roddenberry did not mandate Bones McCoy and Spock be male. According to Nichelle Nichols, "They gave me a three-page script to read from that had three characters named Bones, Kirk and somebody called Spock, and they asked me if I would read for the role of Spock. When I looked at this great text, I said to myself, 'I'll take any one of these roles,' but I found the Spock character to be very interesting, and I asked them to tell me what she [Spock] was like."[69]


In region 2 and region 4, all three seasons of the remastered Original Series became available on DVD in the slimline edition (in the UK and Germany in steelbook editions) on April 27, 2009 as well as the first season in Blu-ray.

On July 26, 2007, CBS Home Entertainment (with distribution by Paramount Home Entertainment) announced that the remastered episodes of TOS would be released on an HD DVD/DVD hybrid format. Season 1 was released on November 20, 2007. Season 2 had been scheduled for release in the summer of 2008, but it was cancelled when Toshiba (which had been helping finance the remastering of the show) pulled out of the HD DVD business.[62] On August 5, 2008, the remastered Season 2 was released on DVD only.[63] For this release, CBS and Paramount used discs without any disc art, making them look like the "Season 1 Remastered" HD DVD/DVD combo discs, despite having content only on one side. Season 3 was released on DVD only on November 18, 2008.[64] On February 17, 2009 – Paramount announced the Season 1 of TOS on Blu-ray Disc for a May release to coincide with the new feature film coming from Paramount.[65] The second season was released in a seven disc set on Blu-ray in the U.S. on September 22, 2009.[66] The third season was released on Blu-ray in the U.S. on December 15.[67] With the release of the "Alternate Realities" box set, remastered Original Series episodes were included in a multi-series compilation for the first time. It is unknown if future compilation releases will exclusively use the remastered episodes or not.[68]

While the CGI shots have already been mastered in a 16:9 aspect ratio for future applications, they are broadcast in the U.S. and Canada – along with the live-action footage – in the original 4:3 aspect ratio television format to respect the show's original composition. If the producers chose to reformat the entire show for the 16:9 ratio, live-action footage would have to be recropped, widening the frame to the full width of the 35 mm negatives while reducing its height.

The first episode to be released to syndication was "Balance of Terror" on the weekend of September 16, 2006. Episodes were released at the rate of about one a week and broadcast in a 4:3 aspect ratio. Despite the HD remastering, CBS chose to deliver the broadcast syndication package in Standard Definition (SD TV). The HD format is commercially available through Blu-ray, or by download such as iTunes, Netflix, and Xbox Live.[61]

A small number of scenes have also been recomposed, and sometimes new actors have been placed into the background of some shots.[60] In addition, the opening theme music has been re-recorded in digital stereo. Elin Carlson, a self-proclaimed "trekkie", performs the vocal line in the re-recording.

As noted in the "making of" DVD feature, first generation "original camera negatives" were used for all live-action footage but not for external shots of the ship and planets, etc. Notable changes include new space shots with a CGI Enterprise, and other new models (for example, a Gorn ship is shown in Arena), redone matte background shots, and other minor touches such as tidying up viewscreens.

The restoration and enhancement was performed by CBS Digital. All live-action footage was scanned in high definition from its first-generation 35 mm film elements. While it was possible to retouch and remaster some visual effects, all new exterior ship, space and planet shots were recreated under the supervision of Emmy-nominated visual effects supervisor Niel Wray.

Under the direction of Star Trek producer David Rossi and long-time Star Trek technical consultant Mike Okuda, the visual and special effects were recreated to give Star Trek: The Original Series a more authentic feel and modern look. Special attention was given to such elements as the Enterprise, alien planets and their images depicted from space, planets seen from orbit, alien spacecraft, and technology such as computer readouts, viewscreen images, phaser beams, etc.

In September 2006, CBS Paramount Domestic Television (now known as CBS Television Distribution, the current rights holders for the Star Trek television franchises) began syndication of an enhanced version of Star Trek: The Original Series in high definition with new CGI visual effects.[59]


From September 1 to December 24, 1998, the Sci-Fi Channel broadcast a "Special Edition" of all The Original Series episodes in an expanded 90-minute format hosted by William Shatner. About 3–4 minutes of each episode that had been edited out of the syndicated shows for additional commercial time were restored for the "Special Edition" broadcast. In addition to introductory and post-episode commentary by Shatner, the episodes included interviews with members of the regular production team and cast, writers, guest stars, and critics (titled as "Star Trek Insights"). The episodes were broadcast in the original broadcast sequence, followed by "The Cage," to which a full 105-minute segment was devoted. (For details on each episode's original airdate, see List of Star Trek: The Original Series episodes.) Leonard Nimoy hosted a second run from December 28, 1998 to March 24, 1999, but not all the episodes were broadcast because the show was abruptly cancelled before completion.

Fans of the show became increasingly organized, gathering at conventions to trade merchandise, meet actors from the show, and watch screenings of old episodes. Such fans came to be known as "trekkies",[51] who were noted (and often ridiculed) for their extreme devotion to the show and their encyclopedic knowledge of every episode.[55] Unlike other syndicated reruns, prices for Star Trek rose, instead of falling, over time,[19]:122 because fans enjoyed rewatching each episode many, often dozens of, times.[56][51][57] By 1987, Paramount made $1 million from each episode in syndication,[11]:222 and by 1994 the reruns still aired in 94% of the United States.[58]

Since that dark day in 1969 when NBC brought the programming hammer down on Star Trek, there probably hasn't been a 24-hour period when the original program, one of the original episodes, wasn't being aired somewhere.

Chicago Tribune, 1987[54]

Through syndication, Star Trek found a larger audience than it had on NBC, becoming a cult classic.[51][48]:138–139 Airing the show in the late afternoon or early evening attracted many new viewers, often young.[52] By 1970, Paramount's trade advertisements claimed that the show had significantly improved its stations' ratings,[49] and the Los Angeles Times commented on Star Trek '​s ability to "acquire the most enviable ratings in the syndication field".[19]:121 By 1972, "the show that won't die" aired in more than 100 American cities and 60 other countries, and more than 3,000 fans attended the first Star Trek convention in New York City.[53][52]

Although many of the third season's episodes were considered of poor quality, it gave Star Trek enough episodes for television syndication.[47] Most shows require at least four seasons for syndication, because otherwise there are not enough episodes for daily stripping. Kaiser Broadcasting, however, had already purchased syndication rights for Star Trek during the first season for its stations in several large cities. The company arranged the unusual deal because it saw the show as effective counterprogramming against the Big Three networks' 6 pm evening news programs.[48]:138[11]:219–220 Paramount began advertising the reruns in trade press in March 1969;[49] as Kaiser's ratings were good, other stations, such as WPIX in New York City and WKBS in Philadelphia, also purchased the episodes[50]:91–92 for similar counterprogramming.[19]:121

Surprisingly, one show no longer programmed by a network but syndicated to local television stations (Star Trek) sometimes appeared among the top five favorites in areas where the show is carried.

—"Students rate television", 1971[46]


In 2011, the decision to cancel Star Trek by NBC was ranked #4 on the TV Guide Network special, 25 Biggest TV Blunders 2.[45]

You Star Trek fans have fought the "good fight," but the show has been cancelled and there's nothing to be done now.[44]

The last day of filming for Star Trek was January 9, 1969,[11]:219 and after 79 episodes[43] NBC cancelled the show in February despite fans' attempt at another letter-writing campaign.[13] One newspaper columnist advised a protesting viewer:

While NBC paid lip service to expanding Star Trek's audience, it [now] slashed our production budget until it was actually ten percent lower than it had been in our first season ... This is why in the third season you saw fewer outdoor location shots, for example. Top writers, top guest stars, top anything you needed was harder to come by. Thus, Star Trek's demise became a self-fulfilling prophecy. And I can assure you, that is exactly as it was meant to be.[42]

Roddenberry was frustrated, and complained, "If the network wants to kill us, it couldn't make a better move."[29] He attempted to persuade NBC to give Star Trek a better day and hour, but was not successful. As a result of this and his own growing exhaustion, he chose to withdraw from the stress of the daily production of Star Trek, though he remained nominally in charge as its "executive producer".[39] Roddenberry reduced his direct involvement in Star Trek before the start of the 1968-69 television season, and was replaced by Fred Freiberger as the producer of the television series. NBC next reduced Star Trek's budget by a significant amount per episode, as the per-minute commercial price had dropped from $39,000 to $36,000 compared to the Season 2 time slot.[40] This caused a marked decline in the quality of many episodes for the 1968-69 season.[41] Nichelle Nichols, writing in Beyond Uhura: Star Trek and Other Memories, described these budget cuts as an intentional effort to kill off Star Trek:

[38] But in March 1968, NBC instead decided to move the show to 10:00 PM [13] to Mondays for the show's third season, likely in hopes of increasing its audience after the enormous letter campaign surprised the network.Star Trek NBC at first planned to move

"Spock's Brain" was the first episode of the third season.

Season 3 (1968–69)

NBC—which used such anecdotes in much of its publicity for the show—made the unusual decision to announce on television, after the episode "The Omega Glory" on March 1, 1968, that the series had been renewed.[19]:116–117[34] The announcement implied a request to stop writing,[27] but instead caused fans to send letters of thanks in similar numbers.[35]

And now an announcement of interest to all viewers of Star Trek. We are pleased to tell you that Star Trek will continue to be seen on NBC Television. We know you will be looking forward to seeing the weekly adventure in space on Star Trek.

—NBC announcer, March 1, 1968[34][13]
Much of the mail came from doctors, scientists, teachers, and other professional people, and was for the most part literate–and written on good stationery. And if there is anything a network wants almost as much as a high Nielsen ratings it is the prestige of a show that appeals to the upper middle class and high brow audiences.[23]

In addition:

The show, according to the 6,000 letters it draws a week (more than any other in television), is watched by scientists, museum curators, psychiatrists, doctors, university professors and other highbrows. The Smithsonian Institution asked for a print of the show for its archives, the only show so honored.[32]

The letters supporting Star Trek, whose authors included New York State Governor Nelson Rockefeller,[34] were different in both quantity and quality from most mail that television networks receive:

[32] The network had already received 29,000 fan letters for the show during its first season, more than for any other except [13] '​s viewers surprised NBC.Star Trek The enthusiasm of

Look! Look! It doesn't stop! They're lined up all the way down the street!

—Norman Lunenfeld, NBC executive, on the mail trucks delivering Star Trek fans' letters[27]

Star Trek '​s ratings continued to decline during the second season. Although Shatner expected the show to end after two seasons and began to prepare for other projects,[23] NBC nonetheless may have never seriously considered cancelling the show.[24][13] As early as January 1968, the Associated Press reported that Star Trek '​s chances for renewal for a third season were "excellent". The show had better ratings for NBC than ABC's competing Hondo, and the competing CBS programs (#3 Gomer Pyle, U.S.M.C. and the first half-hour of the #12 CBS Friday Night Movie) were in the top 15 in the Nielsen ratings.[24][25] Again, demographics helped Star Trek survive.[19]:116 Contrary to popular belief among its fans, the show did not have a larger audience of young viewers than its competition while on NBC.[13] The network's research did, however, indicate that Star Trek had a "quality audience" including "upper-income, better-educated males", and other NBC shows had lower overall ratings.[19]:116[24] The show was unusual in its serious discussion of contemporary societal issues in a futuristic context, unlike Lost in Space which was more "campy" in nature.[26]

Spock, Kirk and the Enterprise, 1968.

Season 2 (1967–68)

Star Trek '​s first-season ratings would in earlier years likely have caused NBC to cancel the show. The network had pioneered research into viewers' demographic profiles in the early 1960s, however, and, by 1967, it and other networks increasingly considered such data when making decisions;[19]:115 for example, CBS temporarily cancelled Gunsmoke that year because it had too many older and too few younger viewers.[13] Although Roddenberry later claimed that NBC was unaware of Star Trek '​s favorable demographics,[20] awareness of Star Trek '​s "quality" audience is what likely caused the network to retain the show after the first and second seasons.[19]:115 NBC instead decided to order 10 more new episodes for the first season, and order a second season in March 1967.[11]:212[21] The network originally announced that the show would air at 7:30-8:30 PM Tuesday, but it was instead given an 8:30-9:30 PM Friday slot when the 1967-68 NBC schedule was released,[22] making watching it difficult for the young viewers that the show most attracted.[11]:218

I am an avid fan of Star Trek, and would simply die if it was taken off the air. In my opinion it is the best show on television.

—M.P., Oswego, New York, February 20, 1967[18]

NBC ordered 16 episodes of Star Trek, besides "Where No Man Has Gone Before".[11]:212 The first regular episode of Star Trek, The Man Trap,[12] aired on Thursday, September 8, 1966 from 8:30-9:30 as part of an NBC "sneak preview" block. Reviews were mixed; while The Philadelphia Inquirer and San Francisco Chronicle liked the new show, The New York Times and The Boston Globe were less favorable,[13] and Variety predicted that it "won't work", calling it "an incredible and dreary mess of confusion and complexities".[14] Debuting against mostly reruns, Star Trek easily won its time slot with a 40.6 share.[15] The following week against all-new programming, however, the show fell to second (29.4 share) behind CBS. It ranked 33rd (out of 94 programs) over the next two weeks, then the following two episodes ranked 51st in the ratings.[16][17]

William Shatner as Kirk in action, from the episode "Where No Man Has Gone Before", 1966

Season 1 (1966–67)

Artist and sculptor Wah Chang, who had worked for Walt Disney Productions, was hired to design and manufacture props: he created the flip-open communicator, often credited as having influenced the configuration of the portable version of the cellular telephone.[10] Chang also designed the portable sensing-recording-computing "tricorder" device, and various fictitious devices for the starship's engineering crew and its sick bay. As the series progressed, he helped to create various memorable aliens, such as the Gorn and the Horta.

The costume designer for Star Trek, Bill Theiss, created the striking look of the Starfleet uniforms for the Enterprise, the costumes for female guest stars, and for various aliens, including the Klingons, Vulcans, Romulans, Tellarites, Andorians, and Gideonites among others.

Once the series was picked up by NBC the production moved to what was then Desilu Productions Gower street location. It was previously the main studio complex used by RKO Pictures and is now part of the Paramount Pictures lot. The series used what are now stages 32 and 33. The show's production staff included art director Matt Jefferies. Jefferies designed the starship Enterprise and most of its interiors. His contributions to the series were honored in the name of the "Jefferies tube", an equipment shaft depicted in various Star Trek series. In addition to working with his brother, John Jefferies, to create the hand-held phaser weapons of Star Trek, Jefferies also developed the set design for the bridge of the Enterprise (which was based on an earlier design by Pato Guzman). Jefferies used his practical experience as an airman during World War II and his knowledge of aircraft design to devise a sleek, functional and ergonomic bridge layout.

The original starship Enterprise


The second pilot introduced most of the other main characters: Captain Kirk (Paul Fix played Dr. Mark Piper in the second pilot; ship's doctor Leonard McCoy (DeForest Kelley) joined the cast when filming began for the first season, and he remained for the rest of the series, achieving billing as the third star of the series. Also joining the ship's permanent crew during the first season were the communications officer, Lt. Nyota Uhura (Nichelle Nichols), the first African-American woman to hold such an important role in an American television series;[9] the captain's yeoman, Janice Rand (Grace Lee Whitney), who departed midway through the first season; and Christine Chapel (Majel Barrett), head nurse and assistant to McCoy. Walter Koenig joined the cast as Ensign Pavel Chekov in the series' second season.

Roddenberry first presented Star Trek to CBS, which turned it down in favor of the Irwin Allen creation Lost in Space. He next presented his concept to the head of Desilu Studio, Herb Solow, who accepted it. Solow then successfully sold the show to NBC which paid for, but turned down, the first pilot "The Cage", stating that it was "too cerebral". However, the NBC executives were still impressed with the concept, and they understood that its perceived faults had been partly because of the script that they had selected themselves.[7] NBC made the unusual decision to pay for a second pilot, using the script called "Where No Man Has Gone Before". Only the character of Mr. Spock, played by Leonard Nimoy, was kept from the first pilot, and only two cast members, Majel Barrett and Nimoy, were carried forward into the series. This pilot proved to be satisfactory to NBC, and the network selected Star Trek to be in its upcoming television schedule for the fall of 1966.

Roddenberry had extensive experience in writing for series about the Old West that had been popular television fare earlier in the 1960s and the 1950s, and he deliberately pitched his new show to the networks as "Wagon Train to the stars",[8] thereby signalling that, like Wagon Train, each episode was be a self-contained adventure story, set within the overarching structure of a continuing journey, rather than being bound to the same location. With the notable exception of Star Trek: Deep Space Nine, all future television and movie realisations of the franchise would adhere to the "Wagon Train" paradigm of the continuing journey. In 1964, Roddenberry signed a three-year program-development contract with a leading independent television production company, Desilu Productions. In Roddenberry's original concept, the protagonist was Captain Robert April of the starship S.S. Yorktown. This character was developed into Captain Christopher Pike, first portrayed by Jeffrey Hunter.

[7] novels that depict a daring sea captain who exercises broad discretionary authority on distant sea missions of noble purpose. Roddenberry often humorously referred to Captain Kirk as "Horatio Hornblower in Space".Horatio Hornblower's C. S. Forester Roddenberry also drew heavily from [6]

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