World Library  
Flag as Inappropriate
Email this Article

Tudor Vianu

Article Id: WHEBN0000938950
Reproduction Date:

Title: Tudor Vianu  
Author: World Heritage Encyclopedia
Language: English
Subject: Ion Luca Caragiale, Perpessicius, Mihail Sadoveanu, Mateiu Caragiale, Symbolist movement in Romania
Collection: 1898 Births, 1964 Deaths, 20Th-Century Poets, 20Th-Century Translators, Ambassadors of Romania to Yugoslavia, Anti-Fascists, Burials at Bellu, Chairpersons of the National Theatre Bucharest, Deaths from Myocardial Infarction, Expressionism, Gândirea, Gheorghe Lazăr National College (Bucharest) Alumni, Jewish Philosophers, Jewish Poets, Jewish Romanian Writers, Male Poets, Members of the Romanian Orthodox Church, People from Giurgiu, Philosophers of Art, Romanian Art Critics, Romanian Essayists, Romanian Jews, Romanian Literary Critics, Romanian Literary Historians, Romanian Magazine Editors, Romanian Male Writers, Romanian Orthodox Christians, Romanian Philosophers, Romanian Poets, Romanian Translators, Symbolist Poets, Titular Members of the Romanian Academy, University of Bucharest Alumni, University of Bucharest Faculty
Publisher: World Heritage Encyclopedia

Tudor Vianu

Tudor Vianu

Tudor Vianu (Romanian: ; January 8, 1898 – May 21, 1964) was a Romanian literary critic, art critic, poet, philosopher, academic, and translator. Known for his left-wing and anti-fascist convictions, he had a major role on the reception and development of Modernism in Romanian literature and art. He was married to Elena Vianu, herself a literary critic, and was the father of Ion Vianu, a well-known writer.


  • Biography 1
  • Philosophy 2
  • Selected works 3
  • Notes 4
  • References 5
  • Further reading 6


Born in Gheorghe Lazăr High School. Around 1910, he began writing poetry — which he never published.

In 1915, Vianu became a student at the Department of Philosophy and Law at the University of Bucharest. During the period, Vianu began attending Alexandru Macedonski's Symbolist literary circle, and, in 1916, he published a study on Macedonski and later his own verses in Flacăra magazine.

Upon Romania's entry in World War I, he was into the Romanian Army, trained as an artillery cadet in Botoşani, and took part in the Moldavian campaign. In 1918, he returned to Bucharest, where he was editor of Macedonski's Literatorul, and resumed his studies, graduating in 1919. Vianu also worked on the editorial staff for Constantin Rădulescu-Motru's Ideea Europeană and for Luceafărul. In 1921, he began his long collaboration with Viaţa Românească, while he contributed to Eugen Lovinescu's Sburătorul.

In 1923, he obtained a doctorate in Philosophy at the Eberhard Karls University of Tübingen, with the thesis Das Wertungsproblem in Schiller Poetik ("The Judgment of Values in Schiller's Poetics"), his first major study in aesthetics (delivered in November 1923). The work was praised by Lucian Blaga, who was subsequently Vianu's colleague during their time as staff members for Gândirea;[3] the two shared an appreciation of Expressionism.[4] With Blaga, he stood for Gândirea's early modernist tendencies, and grew opposed to Nichifor Crainic's intense advocacy of traditionalism (at a time when the magazine's editor, Cezar Petrescu, was occupying a middle position).[5]

With the publishing of his Dualismul artei in 1925 (followed by a long succession of collections of essays and studies), Vianu secured his place in the cultural landscape of modern Romania, and became the titular professor of aesthetics at the University of Bucharest. At around the same period, he distanced himself from Gândirea (which was becoming the mouthpiece of Crainic's far right traditionalism), and instead advocated democratic government.[6]

Throughout the interwar period, Vianu was an adversary of the fascist Iron Guard, and polemized with its press (becoming the target of attacks serialized in Cuvântul).[7] His status as a professor was in peril during the (National Legionary State established by the Guard in 1940), and he felt the imminent danger of physical assaults.[8] Anti-Semitic authorities began alluding to his Jewish origins, and several violent remarks were aimed at him.[2] Following the Legionary Rebellion and the Guard's defeat, he sent a congratulatory telegram to Conducător Ion Antonescu.[9] In 1945, after the end of Antonescu's regime and World War II, he was the recipient of a letter from his friend Eugène Ionesco: the document forms a list of intellectuals whom Ionesco harshly criticized for their pro-Iron Guard activism (they include Nae Ionescu, Mircea Eliade, Emil Cioran, Constantin Noica, Dan Botta, Mircea Vulcănescu, Horia Stamatu, Paul Sterian, Mihail Polihroniade, Haig Acterian, Dumitru Cristian Amzăr, Costin Deleanu and Paul Deleanu).[10]

In charge of Romania's National Theater in 1945, ambassador to the Socialist Federal Republic of Yugoslavia in 1946, Vianu was an honorary member of the Romanian Academy starting in 1955. He made several concessions to the new Communist authorities, which Ion Vianu has described as "purely formal"[11] (an assessment shared by Ion Papuc, who argued that Vianu joined the Romanian Communist Party "for lack of a way out").[2] He gave active support to literary figures who, as former members of the Iron Guard, faced imprisonment — Vianu was a defense witness in the trial of Traian Herseni, and, with Mihai Ralea, the author of an appeal for the release of Petre Ţuţea.[2]

During his late years, he translated several of William Shakespeare's works into Romanian. In the beginning of summer 1964, he completed Arghezi, poet al omului ("Arghezi, Poet of Mankind"), carrying the subtitle Cântare Omului ("A Chant to Mankind"), a work in the field of comparative literature. It began printing on the very day of its author's death, which was due to a heart attack.


Vianu's investigations into cultural history, coupled with his vivid interest in the sociology of culture, allowed him to develop an influential philosophy, which attributed culture a seminal role in shaping human destiny.[12] According to his views, culture, which had liberated humans from natural imperatives, was an asset that intellectuals were required to preserve by intervening in social life.[12]

In his analysis of the Hegel for having unified the competing trends of universalist Rationalism and ethnocentric Historicism.[12] A sizable part of his analysis was focused on the modern crisis of values, which he attributed to the inability of values to impose themselves on all individuals, and which he evidenced in the ideas of philosophers as diverse as Friedrich Nietzsche, Karl Marx, and Søren Kierkegaard.[12]

Selected works

  • Dualismul artei ("The Dualism of Art") - 1925;
  • Fragmente moderne ("Modernist Pieces") - 1925;
  • Poezia lui Eminescu ("The Poetry of Eminescu") - 1930;
  • Arta și Frumosul ("Art and Beauty") -1932;
  • Idealul clasic al omului ("The Classic Idea of Man") -1934;
  • Estetica ("Aesthetics"), a work in two volumes - 1934-1936;
  • Filosofie și poezie ("Philosophy and Poetry") - 1937;
  • Istorism și naționalism ("Historicism and Nationalism") - 1938;
  • Introducere in teoria valorilor ("Introduction to the Theory of Values") - 1942;
  • Istoria literaturii române moderne ("The History of Modern Romanian Literature"), in collaboration with Şerban Cioculescu and Vladimir Streinu - 1944;
  • Filosofia Culturii (Philosophy of Culture) - 1945;
  • Dicționar de maxime (comentat) ("Dictionary of Maxims (Annotated)") - 1962.


  1. ^ Papuc; Șimonca
  2. ^ a b c d Papuc
  3. ^ Grigorescu, p.432-433
  4. ^ Grigorescu, p.382, 384, 432-433
  5. ^ Livezeanu, p.125-126
  6. ^ Ornea, p.36, 69-70, 116-117
  7. ^ Ornea, p.163, 453-454
  8. ^ Papuc; Scurtu, p.11
  9. ^ Scurtu, p.11
  10. ^ Ornea, p.30-31, 184-185, 197-198, 202
  11. ^ Șimonca
  12. ^ a b c d Pop


  • Dan Grigorescu, Istoria unei generații pierdute: expresioniștii, Bucharest, Editura Eminescu, 1980
  • Pompiliu Marcea, "Tabel cronologic" in Tudor Vianu, Scriitori români, Bucharest, Editura Minerva, 1970
  • Z. Ornea, Anii treizeci. Extrema dreaptă românească, Bucharest, Editura Fundației Culturale Române, 1995
  • Ioan Scurtu, "PNL și PNȚ: Rezerve, nemulțumiri, proteste. Partidele istorice sub guvernarea antonesciano-legionară", in Dosarele Istoriei, 9/2000
  • , Center for the Study of the Imaginary, New Europe College, p.110-127Nation and National Ideology. Past, Present and Prospects. Proceedings of the International Symposium held at the New Europe College, Bucharest, April 6-7, 2001Irina Livezeanu, "After the Great Union: Generational Tensions, Intellectuals, Modernism, and Ethnicity in Interwar Romania", in
  • (Romanian) , no. 1, January 2006Convorbiri literareIon Papuc, "Ceea ce ştiu", letter to
  • , at the Council for Research in Values and Philosophy siteThe Promethean Man Eastward or Westward?Mihaela Pop,
  • (Romanian) , no. 261, March 24, 2005Observator cultural"«Am vrut să fiu un martor». Interview with Ion Vianu" by Ovidiu Şimonca, in

Further reading

  • Ion Biberi, Tudor Vianu, Bucharest, Editura pentru Literatură, 1966
  • Tudor Vianu. Biobliografie, Bucharest, Biblioteca Centrală Universitară, 1967
  • Ion Pascadi, Estetica lui Tudor Vianu, Bucharest, Editura Științifică, 1968
  • Traian Podgoreanu, Umanismul lui Tudor Vianu, Bucharest, Editura Cartea Românească, 1973
  • Ecaterina Țarălungă, Tudor Vianu, Bucharest, Editura Cartea Românească, 1984
  • Henri Zalis, Tudor Vianu – apropieri, delimitări, convergențe, Bucharest, Editura Minerva, 1993
  • Henri Zalis, Tudor Vianu, Bucharest, Editura Recif, 1997
  • Henri Zalis, Viața lui Tudor Vianu. O biografie intelectuală , Bucharest, Editura Atlas, 1997
  • Vasile Lungu, Viața lui Tudor Vianu, Bucharest, Editura Minerva, 1997
  • Emil Moangă, Tudor Vianu în conștiința criticii, Bucharest, Editura Floarea Darurilor, 1997
  • George Gană, Tudor Vianu și lumea culturii, Bucharest, Editura Minerva, 1998
  • Vasile Lungu, Opera lui Tudor Vianu, Bucharest, Editura Eminescu, 1999
  • Petru Vaida, Opera filozofică a lui Tudor Vianu, Bucharest, Editura Enciclopedică, 2004
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.