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Elizabeth Montagu

Sketch of Elizabeth Montagu

Elizabeth Montagu (2 October 1718 – 25 August 1800) was a British social reformer, patron of the arts, bluestocking society. Her parents were both from wealthy families with strong ties to the British peerage and intellectual life. She married Edward Montagu, a wealthy man with extensive holdings, to become one of the wealthiest women of her era. She devoted this wealth to fostering English and Scottish literature and to the relief of the poor.

Mrs. Montagu, engraving by Francesco Bartolozzi, published January 1, 1792, after the painting by Sir Joshua Reynolds.


  • Early life 1
  • Marriage to Montagu 2
  • Salon and cultural life 3
  • Bluestocking work and writing 4
  • References 5
  • External links 6

Early life

Elizabeth Montagu, as Anne Boleyn, black and white reproduction of a miniature by Christian Friedrich Zincke, in a friendship box, circa 1740.

She was born in Yorkshire to Matthew Robinson and Elizabeth his wife née Drake. She was the first of three daughters. Conyers Middleton, the prominent Cambridge don, was the second husband of her Drake grandmother Sarah,[1] and she and her sister Sarah, the future novelist Sarah Scott, spent time as children on extended stays with Dr. Middleton, as both parents were somewhat aloof. The two girls learned Latin, French, and Italian and studied literature. As a child, Elizabeth and Sarah, in particular, were very close.

While young, Elizabeth became a friend of Lady Margaret Harley, the only surviving child of Edward Harley, 2nd Earl of Oxford and Earl Mortimer. Lady Margaret and Elizabeth corresponded weekly when apart and were inseparable when together. She spent time with Lady Margaret in London and met many of the celebrated figures of the 1730s, including the poet Edward Young and the religious thinker Gilbert West. In Lady Margaret's household, men and women spoke as equals and engaged in witty, learned banter. Visits to Lady Margaret became more important to Elizabeth when her mother inherited a country seat in Kent and made that her home, with the daughters.

Marriage to Montagu

Mrs. Montagu by Wilson Lowry (1762-1824) engraving published London, April 1787.
Elizabeth Montagu, mezzotint engraving, by John Raphael Smith after a portrait by Sir Joshua Reynolds, published 10 April 1776, 20 x 14 inches. In 1776 the Reynolds original was in possession of her cousin, the Lord Primate of Ireland, Richard Robinson, 1st Baron Rokeby.
Portraits in the Characters of the Muses in the Temple of Apollo, 1778, 52 x 61 inches, by Richard Samuel. The sitters are: Anna Letitia Barbauld (1743-1825), poet and writer; Elizabeth Carter (1717-1806), scholar and writer; Elizabeth Griffith (1727-1793), playwright and novelist; Angelica Kauffmann (1741-1807), painter; Charlotte Lennox (1720-1804), writer; Catharine Macaulay (1731-1791), historian and political polemicist; Elizabeth Montagu; Hannah More (1745-1833), religious writer; Elizabeth Ann Sheridan (née Linley).

In 1738, Montagu wrote to Harley explaining that she had no desire for men or marriage. She saw marriage as a rational and expedient convention and did not suppose it possible to love a man. In 1742 she married Edward Montagu, grandson of the 2nd Earl of Sandwich, who owned numerous coal mines and had several rents and estates in Northumberland. She was twenty-two and he was fifty years old. The marriage was advantageous, but it was apparently not very passionate. All the same, she bore a son, John, the next year, and she loved her child immensely. When he died unexpectedly in 1744, she was devastated. She and Edward remained friendly throughout their remaining time together, but there were no more children or pregnancies. Prior to the loss of her son, she had not been very religious, but his death brought her to consider religion more and more. Her sister, meanwhile, Sarah Scott, was growing extremely devout.

Elizabeth kept a female companion with her most of the time. This person was not exactly a servant, but she would act in that role. She would be expected to carry things and aid Elizabeth on her daily round. Barbara Schnorrenberg suggests that Sarah was in this function and says that there is good reason to suggest that she married poorly to escape that situation (Schnorrenberg 723). After Elizabeth's mother died, her father moved to London with his housekeeper, giving no money at all to his children. When Sarah was removed from her bad marriage, Elizabeth's father (whose ward she was) not only gave her no financial help but forbade either Elizabeth or Matthew, her brother, from relieving her distress.

Beginning in 1750, she and Edward established a routine where they would winter in London in Mayfair and then, in the spring, go to Sandleford in Berkshire. He would then go on to Northumberland and Yorkshire to manage his holdings, while she would occasionally accompany him to the family manor-house at East Denton Hall, a clean-lined mansion of 1622 on the West Road in Newcastle upon Tyne.

She was a shrewd businesswoman, despite affecting to patronise Northumbrian society for its practical conversation. Though acting as Lady Bountiful to her miners and their families, she was pleased at how cheap this could be. She was also glad to note that: 'Our pitmen are afraid of being turned off and that fear keeps an order and regularity amongst them that is very uncommon.' Elizabeth enjoyed hearing the miners singing in the pit, but found, alas, that their dialect was 'dreadful to the auditors' nerves.'

External links

  • Anon. "Brilliant Women: 18th-century Bluestockings," National Portrait Gallery. [2]
  • Schnorrenberg, Barbara. "Elizabeth Montagu". In Matthew, H.C.G. and Brian Harrison, eds. The Oxford Dictionary of National Biography. vol. 38, 720–725. London: OUP, 2004.
  1. ^ Schnorrenberg, Barbara Brandon. "Montagu, Elizabeth".   (Subscription or UK public library membership required.)
  2. ^ Lowndes, William (1981). The Royal Crescent in Bath. Redcliffe Press.  


In 1777, she began work on Montagu House in Portman Square in London, moving in in 1781, on land leased for 99 years. She also expanded Sandleford Priory in the 1780s, and had Capability Brown design its garden and alter the park. She died in Montagu House in London on 25 August 1800 and left Sandleford and all of her money to Matthew Robinson, her nephew.

In the late 1760s, Edward Montagu fell ill, and Elizabeth took care of him, although she resented giving up her freedom. He died in 1775. In 1776, she adopted her nephew, the orphan of her brother. Matthew Robinson, the child, kept his family name, but he was named Elizabeth's heir. At that point, the coal and land holdings Montagu passed on to Elizabeth accounted for an income of £7,000 a year. She managed her wealth and estates well, and by her death her coal income was worth 10,000 pounds a year.

In 1760, George Lyttleton encouraged her to write Dialogues of the Dead, and she contributed three sections to the work, anonymously (her authorship of these is testified to elsewhere). It is a series of conversations between the living and the illustrious dead and works as a satire of 18th century vanity and manners. In 1769, she published An Essay on the Writings and Genius of Shakespear. In it, she proclaims William Shakespeare the greatest English poet and, in fact, the greatest poet of any nation. She also attacks Samuel Johnson's Preface to Shakespeare from 1765 for not having gone on to praise Shakespeare's plays enough. While Johnson had dealt with text, history, and the circumstances of editing, Montagu wrote instead about the characters, plots, and beauties of the verse in Shakespeare and saw in him a championing of all things inherently English. When the book was initially published anonymously, it was thought to be by Joseph Warton, but by 1777 her name appeared on the title page. Johnson, for his part, was estranged from Montagu at this point.

First page of a draft manuscript of An Essay on the Writings and Genius of Shakespear, 1769

Bluestocking work and writing

She also held similar events at her residence in the centre house of the Royal Crescent in Bath.[2]

By 1770, her home on Hill Street had become the premiere salon in London. Samuel Johnson, Sir Joshua Reynolds, Edmund Burke, David Garrick, and Horace Walpole were all in the circle. For writers, being introduced there meant patronage, and Montagu patronized a number of authors, including Elizabeth Carter, Hannah More, Frances Burney, Anna Barbauld, Sarah Fielding, Hester Chapone, James Beattie, and Anna Williams. Samuel Johnson's hostess, Hester Thrale, was also an occasional visitor to Hill Street. Among her persistent admirers was the physician Messenger Monsey. Among the blue stockings, Elizabeth Montagu was not the dominant personality, but she was the woman of greatest means, and it was her house, purse, and power that made the society possible. As a literary critic, she was a fan of Samuel Richardson, both Fieldings (Henry Fielding and Sarah Fielding), and Fanny Burney, and she was pleased to discover that Laurence Sterne was a distant relation. She was related to Laurence Sterne through the Botham family. Sterne entrusted her with the disposition of his papers upon his departure for France. He was in ill health and the prospect of his dying abroad was real. She was a supporter of Bishop Percy's Reliques of Ancient English Poetry.

In London, Elizabeth began to be a celebrated hostess. She organized literary breakfasts with Gilbert West, blue stocking events.

Elizabeth Montagu & Anna Laetitia Barbauld, engraving after Thomas Holloway, published by T. Wright, Essex street, Strand, 1 July 1776, 6.25 x 4 inches.
Montagu (seated, middle), in the company of other "Bluestockings" (1778)
Salon and cultural life
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